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Comments
It's light, has the superbly comfortable 'Pattern Profile' neck (a revised version of the older 'Wide Fat'), brilliant ergonomics and a big, fat sound (with highly usable coil-taps).
The guitar in my Avatar is my '64 ES335. The McCarty is every bit as good - and is the instrument which gets the most playing time.
As I've mentioned before, I have met Paul Reed Smith and was completely won over by the guy. He has an encyclopaedic knowledge of guitar history, can explain in great detail how (and why) PRS do things the way they do and is full of passion and energy.
Compared to Custom Shop Fenders and Gibsons, I don't think their guitars are expensive for what you get. Things that really matter, like stability, fret work, nut work - the stuff that really affects how a guitar will play - are always spot on. My McCarty is the only electric I have ever owned where I have never had to adjust the trussrod.
That kind of reliability is worth paying for.
Ok, 5 Les Paul, which one sounds the best? (Can't take credit for the playing though)
I have nothing but respect for PRS guitars, and one day I'll pick up a battered one and fall in love with it.
I love classic tones though, primarily the way Teles and Les Pauls do their separate things, and my ear has never craved a PRS "sound" if there even is one.
I'm well aware that there's a PRS which sounds "close" to whichever guitar you want, but there's probably also a Yamaha, Squier or Epiphone which does too.
My needs are specific though, and if the sounds in my head were more amp or pedal based I wouldn't hesitate, but for my weird surf/rockabilly/western swing mashup requirements PRS will always be the No Cigar Guitar.
Even the pickups are relatively unimportant to me, they can be pretty well any flavour of humbucker, P90 or whatever, but put a Les Paul in my hands and I can pretty reliably tell you whether it's chambered or not by whether it sings or plinks. Someone else playing it? No chance, it could be anything.
EDIT
I listened, they all sound like electric guitars with an amp setting and a playing style which mean nothing to me. Yes, they're different from one another (at least a couple are, some sounded very similar) and at least one has a much lighter bottom end than the others.
Is there a big reveal? Is No.3 really a PRS? Is No.1 a backwards-recorded bass kazoo?
)
Not all though have sounded great,but you get that with any manufacturer. I would without hesitation buy a new PRS and be sure I'd receive a great playing guitar without playing it and I couldn't say that about any other brand.
Forget the aesthetics,forget that it doesn't sound like a strat or a les Paul, but judge them on the merits that they are almost entirely a new entity in the guitar world that has been designed and constructed properly with care and attention to detail and you may find that you need one too just like me.
However you may be a curmudgeon and anti anything post fender/Gibsons haydays and decide that they're shit but that's your choice.