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I’ve seen both before and they are both amazing.
I’m already busy every night I could get tickets for.
I hadn’t twigged that she was here ‘til I heard her on t’wireless the other day. The last time she was here I promised myself I wouldn’t miss her the next time - but *next* next time…
I was quite a gig-goer as a kid but that has lapsed since music went wrong, this feels a bit like some kind of “the old days” thing, but not in the least nostalgic.
TE.....well I've only seen him on YT before, so I was expecting lots of notes, and thats what he did, for the most part. I wasn't quite prepared for his high energy personality though. Anyway, huge respect, a very talented chap, but it was all a little bit much for me.
Overall, an excellent gig.
Both were fantastic. Molly’s voice is even better than last time I saw her and as expected, her playing was superb.
Tommy was as good as ever. Spectacular playing and great entertainment.
there’s a video / lesson here
https://www.guitarworld.com/lessons/perfect-the-art-of-clawhammer-guitar-with-molly-tuttles-lesson-on-how-to-play-take-the-journey
I have only seen Tommy Emmanuel once. Had to do a bit of online digging to check how long ago. I went to see him in November 2007. I then vowed that I would never go and see him again because of his shameful abuse of his Support Act (more later).
I knew of Tommy Emmanuel. Most of his own Set consisted of one fast number after another (I find this a bit wearing, and rather like Steve Vai, I am sure would get more enjoyment if there was more song tempo variation). When he did play some slow numbers in one section of his Set, not unsurprisingly he still played well!
Five minutes after Tommy Emmanuel started his set, he stopped playing. He then spent some considerable time "Explaining" to us, the Audience, what supreme good fortune had landed on his Support Act, because "He The Incredibly Well Known Guitarist" had condescended to choose this little known acoustic guitarist to be his Support. It was deeply unpleasant abuse, which lasted far too long. If the Support had to put up with this every single night, then I felt very sorry and ashamed that he had to put up with this treatment.
The Support Act had been utterly brilliant and played beautifully………. His Name : Andy McKee.
The only other concert I've been to, where the main artist behaved poorly in a similar manner was Ray Davies (ex Kink), who, two thirds through a gig, launched into a diatribe about how incredibly generous he was to have lent his rhythm guitarist his mid '60's 335 for the tour. I really wondered at the time how many of the audience had any idea of exactly what a 335 was, let alone the "significance" of it being a mid '60s example.
Note to self… use your diary better.