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My account got screwed several years ago through kids playing their faves on my account. It's also significantly affected by my listening to songs on repeat while learning them for various bands over the years.
Spotify has recently added the ability to "exclude items from your taste profile" which I've yet to investigate fully but which seems very useful.
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As for the bigger bands… I’m fairly sure Steve Harris and Kerry King don’t need my money anymore.
But it's made me lazy, it's quanity over quality. I need to sort that out. It's not Spotify's fault - it's a streaming service, more akin to smart radio. I shouldn't criticise it for being something that it isn't.
soundcloud.com/thecolourbox-1
youtube.com/@TheColourboxMusic
That said, I buy pretty much the same amount of new music now as I did before I used it - I don't buy as much as I did in the mid 00s because I was young then and had literally no music collection to listen to so had to start somewhere. Now it's largely only new acts or new albums from existing acts that I'm going to want to buy, not really many legacy acts that suddenly appear out of nowhere that I'm going to like and need to buy stuff of (though it has happened, albeit largely with acts who are either already minted or dead or both)
soundcloud.com/thecolourbox-1
youtube.com/@TheColourboxMusic
Especially in a post that mentions what ACTUALLY created the perception that music is not worth paying for... the file-sharing apps of the early 2000s.
Spotify etc. monetised the convenience and digitisation of music into a multi-billion pound revenue stream that saved what was left of the traditional industry.
In the meantime, a new industry based on direct engagement with fans, building a following and so on emerged - it's now perfectly possible to become a genuinely popular musical act and never go near a major label (look at the Reytons for example) while some choose the major label route, and have massive impact (Wet Leg, Last Dinner Party)... let's not forget as well, we are living in the era of one of the biggest pop stars of all time, with Taylor Swift having the first BILLION dollar tour!
If you want the villains in the music industry, look at the major labels, who increased coked-up drummers to the GDP of small nations in the 70s seemingly at random, while 99.9999% of acts never got anywhere near success, while making far more money themselves out of everyone.
The people who still charge wastage to the artist... on digital distribution.
They make artists too young and stupid to know better sign "pay for everything, own nothing" deals, and in the early 2000s signed up countless legacy acts to penny-in-the-pound digital revenue deals that mean they get virtually none of the significant revenue streams of their songs produce.
I'm personally very much in favour of FAIRER distribution of digital revenues to artists, ideally with a user-centric model, and of much fairer deals from major labels for their (valuable) marketing expertise to be given to artists.
...but the industry changed, significantly, like many others, with the rise of the Internet. The (really a bit arrogant) belief that musicians deserve a living from music without meeting the commercial threshold to make it so is challenged by the fantastic success of musicians who have embraced social media (Chappers, Rabea, Mary Spender, Frog Leap etc) and the sheer power of platforms like TikTok (that Canadian lass who was at the Brits).
As we have said above - feel like your favourite artist needs more support? Google their official store and pick up a t-shirt and a signed vinyl - nothing is stopping anyone doing this.
Android phones at the time weren't exactly big on the whole music player thing. Very basic. Music on a memory card. Simple player app...
But one thing really does hack me off about it. The terrible curation of artists that means you often get wrong music under artists of a similar name. One of my favourite bands is the Dutch group The Gathering, and there's all manner of shite under their library that's nothing to do with them.