I've got one of these recently from eBay, on a whim. It's a great playing guitar, once setup, and the next single coil is decent. I'm not getting on with the bridge humbucker. When not split it's really honky and nasal. When split it's fine in the middle position and sort-of ok in the bridge position. What do you suggest as a replacement humbucker? My ideal is that the middle position is good when split and the humbucker is great alone, just not too nasal. I don't mind the humbucker being higher output than the neck. Alternatively I'd be ok with a humbucker that didn't split as long as it and the middle position worked. I've tried raising / lowering the existing pickup and screws, but it doesn't get to where I want to go
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You can use a resistor to put a bit of the second coil into the split sound. That makes it not as weak and means you can get away with a lower output humbucker. Probably alnico 5 if you don't want too nasal, and PAF or hot PAF output.
Something like a Duncan Custom 5 is pretty scooped even though it's fairly hot, but I've never tried its split tone. Or you could go with a ceramic fairly hot humbucker to avoid the nasal thing but also have enough grunt for the split sound. As long as you like the sound of a ceramic pickup.
There are other fancier pickups with one rod magnet coil and one slug coil to sort of get the best of both worlds, but there's still a bit of compromise probably with both sounds...
The Oil City Pickups Creature model works along similar principles.
For maximum versatility, consider the SD P-Rails Hot pickup and Triple Shot mounting surround. That would provide four sonic options from the bridge position pickup.
> As long as you like the sound of a ceramic pickup.
how would you describe their sound?
The classic grunge Jaguar pickups would be the Duncan JB or DiMarzio Super Distortion, but I think those will be too far down the hot/nasal route in that guitar, if you don't like the stock pickup. (Which is probably intended to sound something like those.)
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
https://www.ebay.co.uk/itm/276013194079
Unfortunately, the OP's Player Jaguar has HS pickups. I don't remember whether Novak offers his Fat JM pickup in a regular humbucker format.
Basically a stronger magnet sort of "adds back in" (or maybe more accurately, "doesn't lose as quickly") the frequencies which tend to be lost as the turn count goes up.
(Though as I said with the Custom 5, for some reason it doesn't seem to do it. I'm not sure why. Maybe I just haven't tried enough humbuckers with its spec!)
@funkfingers That's a good call about the custom '59 hybrid, Creature and P-Rails, but I haven't tried them!
Yeah it's ages since I've tried a Super Distortion, but the JB in particular is almost the archetypical nasal and hot bridge humbucker I would say...
I agree with @guitargeek62 that Toltecs are great, and can be got for very attractive prices on Ebay. He doesn't often have humbuckers up for cheap, though, unfortunately (and the ones he does are usually vintage-style i.e. unsplittable).
Yeah I think so. If you know you want scooped (though it's worth bearing in mind that that might be overkill- if your current pickup is nasal/honky/too middy, something which is merely fairly flat in the mids may be enough) you probably want alnico 5 alongside a PAF or hot-PAF type of wind and output. But as I said above, ceramic is sort of a way, if the wind's not too hot, to get a bit more power while also maintaining a similar (but not identical) tone to a lower output alnico 5 humbucker.
The other thing I always say- and this does depend on exactly what you're after- is that, assuming your main priority is the humbucker tone (for most people it is, but not always), I'd just get the humbucker whose tone you know you want (assuming you already know that!) and put up with the split tones, using the resistor trick to make the split tones as good as possible.
EDIT: Oof that's a really long post. Don't make the mistake of thinking that means I know more than the people who have posted above who have posted less. It's the opposite. They know a lot more than I do.
Also, your guitar's pickguard happens to have a humbucker-sized cut-out at the bridge/Treble position.
Good news. Several manufacturers offer replacement pickups that amount to two Stratocaster-sized units, mounted side by side, on a humbucker baseplate.
NOTE: Check the string spacing at the bridge of your guitar. This will determine whether you require regular rather than "F" spaced polepieces.
Do you have a multimeter? If you do, that would at least get us the resistance of the stock pickup, and we could make an educated guess as to how it sounds with that figure...
And yeah I agree with @Funkfingers about the split thing- I don't always use them all that much, but I'd miss having splits at least on guitars which suit them- usually Fendery guitars and/or guitars with a mix of humbuckers and single coils like yours.
A good quality A500k volume pot would be a good compromise. (The Jag circuit normally uses 1Meg pots.)
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein