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Midrange boosters also make the signal louder but, it could be argued, in a more useful way. Turning up the midrange whilst barely altering the treble and bass frequencies will imbue your Stratocaster pickups with a more humbucker-like tone.
I have used the EMG-SPC in several guitars. I like it best in my elderly Charvel Model 3 with EMG-SLV, -SLV, -HA pickups. Bridge + middle + boost compensates for not having a humbucker as bridge pickup.
I am also quite keen on the Seymour Duncan Prototype EQ device (as used by Frank Zappa). This combined a cut/boost control and a centre frequency selector.
The EMG-VMC works the same way. IMO, its sweepable frequency control would be of greater use in a studio guitar than the -SPC.
The downside to any of these devices is the need to make space for a PP3 to power the electronical gubbins. It is usually possible to cram it into the control cavity. OTOH, it is a drag, having to slacken the strings and raise the pickguard just to check/replace the battery.
There is, therefore, an argument for applying the boost outboard. Some Fretboarders favour graphic EQ pedals. Alternatively, there are semi-parametric EQ pedals. These usually have a pot to dial in the frequency band to be cut/boosted.
One thing is I don’t fancy cutting a hole in my USA strat…am I being silly? It’s just an object isn’t it?
The Charvel Model 3 mentioned previously has the unfair advantage of rear access to the control cavity.
My recollection is that, on his personal modern Stratocasters, Clapton has the PP3 in the vibrato spring cavity. If any wood has been removed to allow this, it is concealed beneath the cover plate.
Router with an accurate template for a plastic battery box is the correct tool.