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Comments
For me its a modern classic. Channels 1 and 2 don't do much for me but if it only came with Channel 4 I'd still consider it value for money.
Sold them a few months ago.
I love them both but 100w is just too loud for anything I am doing at the moment.
VH4 Ch 3 is an awesome sound but I actually prefer the DMoll over the VH4 for most things.
It is tighter and easier to get sounds out of.
Also a lot lighter.
I'd like to see Diezel do a 30-35w tube 3 channel amp, like the Bogner 3534, SLO 30, Mesa Mark V 35 etc.
I bought a 3534 a few days ago and it is awesome and easier to use in any gigging situation I can think of.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
I had a VH4 for 5 years. Fantastic amp, but subject to a few caveats:
1. Clean channel is nice but rather sterile. You're not buying it for that.
2. Channel 2 is underrated. If you EQ with your ears not eyes, it can get close to a slightly more compressed angry plexi.
3. Channel 3 is where this amp delivers. Huge bass, massive, crushing wall of sound - even better boosted with a TS (assuming you're playing heavy stuff). Among the best gain channels of any amp, IMO.
4. Channel 4 has an absurd amount of compression and gain, but is a fun and fluid lead channel.
I'd say go for it. As ever with 100w amps, this has a great master and sounds very good at bedroom volume, but comes alive when cranked. Good luck!
I know it’s not the tightest, I know it’s not a JCM 800 or a Dual Rectifier, but I want to go from that open crunch of a JCM to an iteration of the type of saturation that the Dual Rec offers. And yes @spirit7 , I am actually very grateful for your advice, but yep, definitely interested in the cleans too, tbh. To be able to switch instantly from clean to huge is a requirement. I’m not after any particular character of clean, just high enough headroom so that my humbuckers don’t crap it out.
So I’m not after particular tones, just the versatility to fulfil the above requirements from clean to open (non-compressed) crunch to boosted crunch (with a TS) and then over the top saturation (both as open as possible AND saturation with compression for lead work).
Any advice and to draw upon your experience of that sort of thing with the VH4 would be greatly appreciated. And thanks for your input thus far.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
Studio rig so it didn't bother me changing a few cables around when I needed this tone.
I got the idea from a Dan Hawkins rig rundown and really liked it.
Preferred it to the Hagen I had and to the UA VH4 plugin.
I do remember I got one sound out of this rig at somewhat extreme settings but it was a good sound, so good that I briefly considered getting the VH2 but in the end it's not the type of tone I'd tie full amp money to.
I understand the pedal is ch3 which is what amp is famous so if you want that sound, I don't think you can go wrong plus all other 3 channels won't be bad either.
*edit* Heh - just realised I'd already said pretty much the same thing up-thread!