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BBC4 Friday 28th November, 10pm

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  • Enjoyed it, but really it was another excuse to drag out the standard library of BBC clips that have been used so many times before (like that guitar riff one recently).

    The factory footage and clips/photos of the early days were great though. 
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  • ....and Charles Shaar Murray is still bloody annoying 
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  • I don't care about all the Marshall
    PR hyperbole, fair play to them, but my word Jo Wiley boils my piss!
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  • dindudedindude Frets: 8537
    Thought it was pretty good, although the story stopped at the JCM800 and I'm sure there's a lot more to say on their ups and downs since.
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  • I could have done without Jo "Terrahawks" Whiley, but that programme didn't rely much on old clips that I've seen before. Except the Jimmy Page skiffle clip and the Spinal Tap clips (which really, had to be included).
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  • ICBMICBM Frets: 72403
    dindude said:

    Thought it was pretty good, although the story stopped at the JCM800 and I'm sure there's a lot more to say on their ups and downs since.
    Not really, they didn't make anything worth bothering about after that.

    Apart from reissues of the old stuff, anyway. A real shame...

    "Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski

    "Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein

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  • dindudedindude Frets: 8537
    ICBM said:
    dindude said:

    Thought it was pretty good, although the story stopped at the JCM800 and I'm sure there's a lot more to say on their ups and downs since.
    Not really, they didn't make anything worth bothering about after that.

    Apart from reissues of the old stuff, anyway. A real shame...
    I was thinking more from a business point of view, move to offshore manufacture, solid state, etc, it's still the history of the company, but I guess not so important for the purpose of an hour long documentary.
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  • Philly_QPhilly_Q Frets: 22923
    ....and Charles Shaar Murray is still bloody annoying 
    He and Malcolm Dome seem to share the same dentist...

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  • monquixotemonquixote Frets: 17626
    tFB Trader
    I could have done without Jo "Terrahawks" Whiley, but that programme didn't rely much on old clips that I've seen before. Except the Jimmy Page skiffle clip and the Spinal Tap clips (which really, had to be included).
    Anyone else LOL at the Zep clips being from JPs Supro era?
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  • There were also a couple of AC30s very prominently in the background in some clips. Maybe they were ones that Marshall built.
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  • darcymdarcym Frets: 1297
    it was really poor.
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  • Have it on iPlayer with my breakfast. ROCK'N'ROLL! \m/

    It's a bit corporate video so far, I'm dreading it finishing in case there's a power point by the head of finance after.
    Tipton is a small fishing village in the borough of Sandwell. 
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  • darcym said:
    it was really poor.

    Jo Whiley's narration was excruciating

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  • p90foolp90fool Frets: 31600
    Well I was going to watch it later, but Jo Whiley and Charles Shaar Murray are enough to put anyone off.

    Is it very "general interest" slanted or will it actually tell guitar players anything they don't already know?
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  • p90fool said:
    Well I was going to watch it later, but Jo Whiley and Charles Shaar Murray are enough to put anyone off.

    Is it very "general interest" slanted or will it actually tell guitar players anything they don't already know?

    I'd be very surprised if you learned anything of significance new based on the first 40 minutes.
    Tipton is a small fishing village in the borough of Sandwell. 
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  • martmart Frets: 5205
    Entertaining stuff, but nothing profound.

    I don't get CSM. His Guitarist column was brilliant, and lots of his writing is really good. But on TV he comes across as a really annoying show-off.

    Interesting comment from the wife, half-way through: "why are the BBC showing an hour long advert for Marshall amps?" Since I'd just been starting to think that I really ought to buy a Marshall, I had to admit she had a point.

    Shouldn't there have been some sort of editorial balance, like somebody saying directly that AC30s were better in some ways? 
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  • p90foolp90fool Frets: 31600
    mart;429311" said:
    Entertaining stuff, but nothing profound.

    I don't get CSM. His Guitarist column was brilliant, and lots of his writing is really good. But on TV he comes across as a really annoying show-off. 
    An acquaintance of mine knew him before he contrived the Lydonesque smugness and said he was ok, if a little pompous.

    Nowadays he's like a cross between Sid Snot and Will Self, ie; fucking annoying.
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  • andyozandyoz Frets: 718
    I always enjoy Pete Townshends sound bites. Also learnt he likes AC/DC.
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  • mart said:
    Entertaining stuff, but nothing profound.

    I don't get CSM. His Guitarist column was brilliant, and lots of his writing is really good. But on TV he comes across as a really annoying show-off.

    Interesting comment from the wife, half-way through: "why are the BBC showing an hour long advert for Marshall amps?" Since I'd just been starting to think that I really ought to buy a Marshall, I had to admit she had a point.

    Shouldn't there have been some sort of editorial balance, like somebody saying directly that AC30s were better in some ways? 
    The thing is that she is sadly quite accurate.  It was a very, very selective history.

    The story went - clean amps... guitarists got bored.... Marshall invent distortion, modern rock and heavy metal sounds.  There was no mention of the amount of famous distorted sounds that the AC30 had produced from the 60s onwards.  The was a brief mention of Hiwatt and Orange muscling in on Marshalls turf 'in the 80s'? - no mention of the 70s acts powered by either.  Despite Marshall also 'inventing the sound of metal' there was no mention that Tony Iommi relied heavily on Laney and Orange.  No mention of pedals whatsoever, which is bizarre when you consider how many distorted tones rely either solely or largely on the addition of pedals.

    The documentary tailed off in the 80s with absolutely no mention of Mesas largely becoming THE sound of metal that Marshall supposedly invented.  If you had no prior knowledge you were left in no doubt that Marshall is the only amp worth owning for the proper sound of rock.

    I'm all for recognising the significance of Marshall but i felt the whole program stretched it to the point where you would believe that rock, hard rock and metal would not have existed without them and that the major bands owed more to Marshall than their own talent.
    My muse is not a horse and art is not a race.
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  • not_the_djnot_the_dj Frets: 7306
    edited November 2014
    Well it was called "Play it Loud, The Story of Marshall Amp" rather than "Play it Loud, The Story of Amps" so focusing on Marshall rather than their competitors wasn't really a surprise.
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