OK - now I know you all think I'm crazy to start off with, but this might confirm everyone's suspicions...
What he HAS asked me is to see the body, finished but absolutely BEFORE I apply any finish to it at all.
He knows that the present intention is Tru-oil applied a la
@WezV.
He also knows exactly how that comes out because this commission came about as a result of him seeing his mate's (and his band's bassist) walnut bass rebody that I did a few months ago:
...but I think he's going to ask me what would the possibility be of having no finish whatsoever, to retain the natural wood colour:
While it seems a terrible shame not to make the most of the wonderful figuring, he has always said he wants an un-fussy look...and I can see the attraction of the build looking like that if it was at all possible.
So - his request to see the unfinished body may be nothing to do with this at all but, in the meantime, I've done a couple of experiments on the offcut from the billet used on this build.
My thought process is:
- All conventional finishes change the colour of natural wood to some extent. Varnishes and lacquers will darken the wood in the same way as wetting it. The buffed tru-oil method less so but still a tangible darkening against sanded but otherwise untreated wood
- Even clear beeswax deepens the colour of many woods markedly
- Same happens with leather when you apply dubbin or similar
- But not if you apply nu-buck / suede protector spray. It does when it's wet, but when it's dried there is no discolouration at all
OK - I think you're ahead of me
So, pre-empting a question that may never be asked - I applied tru-oil to one half (not buffed yet, so it will lighten a little) and nubuck spray protector to the other. When the latter was wet, the two sides looked identical, but 5 mins later:
Like magic, the identical wet-tainting on the right disappears and leaves it just like it was never there in the first place.
So IS it there?
Take one drop of water, and drop it on the 'untreated' wood:
No idea how long this would last / how easily it would rub off / how effective on greasy fingers / etc / etc , but if the guy ABSOLUTELY wants that colour and is not bothered by the high risk of progressive staining, worth the experiment?
Anyone done something similar or found a proven protection that does not change the colour at all?
Andy
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I thought you were going to suggest micro meshing it to 12000 grit. I did a wudtone finished neck and worked all the way up, just to see what would happen, and the rosewood board on the sides look like polished brown glass, despite being unfinished. Maybe you could do that first, then apply the spray as a protector?
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"We now use a concoction we make here. I buy Lemon essence, which is pure pressed lemon oil. Google “Essential oils” and find some. You can get a pint for about $16. You won’t need that much. We then heat the lemon oil on a hot plate and melt in Bee’s wax. We use a 2” square cube of bee’s wax for every pint of oil. The wax will take a while to melt, but will melt completely into the oil. Let it cool over a few of hours and it will start to thicken. Once it thickens up use it to finish the neck. The oil will get into the wood and condition it, but in doing so it carries the wax down into the wood fibers. The wax prevents the wood from drying out, and skins over on the top surface to prevent debris from working into the wood. Polish it up with a cotton cloth when you have enough worked in and it should be very smooth and very fast feeling."
I have used this on necks and have owned N4s with it on the body. It does not darken the wood very much at all but does make it look, feel and smell lovely!
I believe Washburn use tung oil on the N4 bodies.
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