Walnut strat build

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  • MegiiMegii Frets: 1670
    I can't get my eyes past that walnut, it looks superb.
    Thanks chilli - it's definitely going to be the visual highlight of the guitar. :)
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  • MegiiMegii Frets: 1670
    I have been rubbish at keeping this thread up to date, apologies. However, the guitar was completed a few days ago, so at least I can give a few edited highlights of the rest of the build process:

    The wiring job - guitar has an extra mini-toggle, which keeps the neck pickup on at all times, in addition to whatever is selected via the 5-way. Master volume and tone, and the 3rd pot blends from a tapped "vintage strat" pickup output, up to a hotter output.

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    Unfortunately, the blend pot is not quite working as hoped, in that there is a problem as I turn down to the tapped, vintage output setting - the extra 1.5K or so of pickup wind is effectively put in parallel with the pickup, and is loading the pickup, causing a dulled tone. I don't think there is a way around this, so I will probably be changing the circuit before long. The full pickup tone is awesome anyhow, so I'm just not using the blend pot for now.




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  • MegiiMegii Frets: 1670
    The Mighty Mite neck has been given a fret level, re-profile, and polish. Jumbo frets, 9.5" radius. Also I did some work lightly smoothing the neck finish with 0000 Liberon wire wool, and then buffed up with a bit of paper. This has given a more satin sheen kind of finish - as supplied, the MM neck had what I would call a matt finish, though MM describe it as satin. The finish is very thin also, but does give adequate protection I think, and I'm happy with how I've got it now.

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  • MegiiMegii Frets: 1670
    The body was given 7 very thin coats of Tru Oil, just hand applied with paper kitchen towel. In between coats I smoothed with 1200 grit wet and dry sandpaper, and 0000 wire wool in the later stages. I chose to deliberately not fill the grain - going for a naturalistic kind of look I guess. Once the Tru Oil was on, and after a couple of weeks to cure reasonably, I then used some Birchwood Casey "Satin Sheen & Conditioner" which is sort of like a very fine version of T-Cut, designed for use on Tru Oil. It basically takes away the harder gloss, and leaves a satin sheen kind of finish, as the name would suggest. Again, going for a natural vibe. Came out very nicely anyhow...

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    Hopefully you can see what I've ended up with is the grain being enhanced, but not too much of a reflective gloss kind of finish. I was really going for a satin kind of finish, which I feel works better with the satin-finished neck.
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  • MegiiMegii Frets: 1670
    Shielding for the pickup and control routings, done with self-adhesive copper tape.

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    The second shot shows how I've gone along the seams joining the various pieces of copper with a line of solder. Could have avoided this if I'd had copper tape with conductive adhesive - but I didn't! I find I manage OK with the solder anyhow.
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  • MegiiMegii Frets: 1670
    I'm not usually a big user of the trem, so for this one I decided I'd just have the bridge set permanently against the body, and so have installed 5 springs. I use 11-49 strings FWIW, and find at least 4 springs are needed even if I do want to set the trem floating.

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    Work on the nut slots, just using nut files to get the slots to the right diameter and depth. I have fitted the neck with a new bone nut - the stock nuts on Mighty Mite necks are a rather so-so plastic job, so less than ideal.

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    ...however, I would say that in other respects, I'm quite impressed by the MM neck - the maple used seems excellent quality, and well-installed frets. Also the truss rod is beautifully smooth to adjust, and works very responsively, making the setup relatively easy. I've fitted a single string tree - could have fitted a second one, but it doesn't really need it, and I prefer to keep the headstock looking cleaner.
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  • MegiiMegii Frets: 1670
    So, caught up now, and I really just wanted to show off the finished lovely. Really chuffed with how it's come out looks-wise, and early indications are that it's a very nice instrument to play, and in terms of the tone (although still some modding to do with the wiring). The action is set kind of low-ish, about 1.2 mm at the high E 12th fret, and 1.5 mm at the low E string. Bass player in a band I play in thought it had a bit of a Clapton vibe about the sound, which I'll definitely take! I think the maple board, and walnut body do give it a very definite, clean attack to the notes, but it's not harsh either.

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  • steamabacussteamabacus Frets: 1266
    Now, that is a very desirable Strat. Stunning work.
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  • MegiiMegii Frets: 1670
    Just a few more...  :D

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    Nearly forgot (how could I?), but a huge cheers to Jooky for selling me the lovely Guitarbuild walnut body for a ridiculous £45 delivered - hope you approve of what I've done with it Jooky! Also thanks to Phil at www.guitarbuild.co.uk for sending me several walnut blanks to test finishing options on, despite the fact I hadn't bought the body directly from him - a top bloke. And cheers to everyone for following the thread, sorry it's been a bit sparse, but hope it's provided some entertainment at least. 
    :)
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  • Proper tasty.
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  • MegiiMegii Frets: 1670
    Now, that is a very desirable Strat. Stunning work.
    Thank you, much appreciated! It's my 4th project build, and although I'm very happy with the others, I think this one might be the best thing I've done. :)
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  • MegiiMegii Frets: 1670
    Proper tasty.
    Cheers TPD!  :)
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  • I still love it. First refusal, remember. ;)
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  • MegiiMegii Frets: 1670
    I still love it. First refusal, remember. ;)
    Thank you! Promise I won't forget re the first refusal ;) , although at the moment I'm rather liking this new walnut lovely myself I have to say. 
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  • DougDoug Frets: 172
    That's gorgeous, nice build, love the walnut body/maple board, just needs a floyd/bridge humbucker and your own (deserved!) headstock logo.
    :D
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  • imaloneimalone Frets: 748
    Looks great (have a wow). Does remind me a little of my grandparents furniture, but I'm sure it sounds better than theirs.
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  • JookyChapJookyChap Frets: 4234
    That is proper gorgeous - that walnut came up beautifully, and the maple 'board definitely works well with it - nice job :)

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  • MegiiMegii Frets: 1670
    Cheers guys!

    @Doug - the floyd and bridge humbucker will have to wait for another build I'm afraid!. And I know what you're saying re the logo, but I can never think of anything I like enough, plus I like the existing thin, buffed finish on the neck, so don't want to lose that by having to spray over a decal. So it will remain a clean headstock for the time being.

    @imalone - cheers for the wow. I kind of knew I might be straying somewhat into "furniture guitar" territory - not very rock and roll I guess. But I play mainly jazz, so I'm not too worried. I do have a sideboard to compare with, and yes it does sound better! :D

    @JookyChap - thanks! agree the maple works visually - that was actually a concern, my instincts told me a dark rosewood or ebony board would look right, but I really wanted a maple board strat. Somehow the scheme with the black scratchplate and pickups/controls, plus the chrome hardware makes it work. Also the neck could not have been the vintage tinted kind of finish I think - had to be a natural-coloured maple, so in that respect, the Mighty Mite neck was perfect. Anyhow, all your fault I did this build at all, so glad you approve... :D
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  • WezVWezV Frets: 16735
    Maple and walnut is like chocolate and cream.
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  • juansolojuansolo Frets: 1773
    Simply gorgeous.
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