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*sigh*
everyone's a comodian.
Monet, Renoir
A time machine:
https://upload.wikimedia.org/wikipedia/commons/2/21/Pierre-Auguste_Renoir,_Le_Moulin_de_la_Galette.jpg
he did me a great interpretation of this - same size as the original.... she is fairly imposing
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okay, My big art is all copies, ahem "reinterpretations", of more famous work, but I prefer that to prints
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I remember looking at a Constable as a child and thinking how pointless photorealistic paintings were once photography existed.... Probably helped that me pa spent all my childhood painting stormy landscapes with purple skies.
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When I took up painting, I thought Picasso was pish - just badly painted nonsense designed to wow art luvvies and extract lots of cash from them. I suspect it maybe was anyway, but found The Muse when I was leafing through a book of his works...
http://i1279.photobucket.com/albums/y521/Nomad_Zamani/Paintings/The Muse_zps2mauap1p.jpg
...and liked it. I think it changed my perspective on what was and wasn't valid in terms of art. Later, I had a go at painting in a similar style...
http://i1279.photobucket.com/albums/y521/Nomad_Zamani/Paintings/Picasso Style Portrait_zpsxkho8ks5.jpg
Done on a big canvas with long brushes held at arm's length.
Nomad
Nobody loves me but my mother... and she could be jivin' too...
my first experience of Picasso was a washed out print in the English teachers classroom. I thought it was massively ugly at the time.... But I remember the picture, and how it made me feel, with total clarity 25 years later. More than ugliness, I remember how it caught my interest.
now I actually get Picasso, he caught my attention more than any other artist when I was in my teens, I grew to love the style.
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This picture by him called 'Winter' was painted in 1890!
I find it's a bit like music. I'm not especially a fan of any band or musician, but there are lots of individual pieces that I really like, and there are some bands where I like quite a lot of their stuff, but not all of it.
With painting, when I had just got started with it more seriously, I sat down one day to write down my thoughts on 'art'. Although I wasn't fully conscious of it at the time, I had an agenda, which was to slag off modern art like Picasso. I got about a paragraph in, and then started leafing through the book of his works (probably looking for ammunition), and found that I kept looking at The Muse. Like you say, it just caught my interest.
At that point, I stopped and asked myself what paintings are for - how are they experienced in day to day life? My answer was that they're just blobs of colour that hang on the wall and mostly get ignored. 95% of the time, we walk past them with other things on our minds, aware of little more than the colours and shapes in our peripheral vision. Sometimes, we stop and look at them, appreciate them, maybe wonder what led the artist to create that particular arrangement of colour and shape. I never wrote another word in my little treatise on the subject.
Although I'm not especially a fan of Picasso, it was a real watershed moment for me as a painter. Anything can be valid - it's down to what the viewer feels about it.
Nomad
Nobody loves me but my mother... and she could be jivin' too...
Rolf harris.
Can you guess what it is yet?7
I like the Surrealists'
Love Henri Rousseau.