I will be moving house soon, so there is a possibility of having flatmates who wouldn't welcome hearing my playing at even reasonable volumes, so...
I WASN'T thinking of ditching my beloved 65 DRRI, but I was seriously considering getting one of the Blues Cube range of amps along with decent headphones as well for home practice. I'd be putting my pedalboard into the front of it.
How is the Blues Cube for that? I tried one without headphones, guitar straight in, no effects, and it sounded bloody marvellous.
@Wazmeister I know that you're a huge fan, can you shed any light on this?
Cheers.
Comments
At first I was disappointed because the speaker emulated line out sounded dull to me. However, that was easily fixed within my DAW by adding about 8dB boost at around 3K with a Q of about 2. So for live DI I'd just make sure to have the option of adding some EQ. Maybe something similar might apply to the headphones but I'd need to experiment a bit more before I can offer a valid opinion.
The good thing about the line out is that it's not affected by the master volume control so it will be possible to tweak the onstage volume, without affecting what's coming out of the PA. Also, for recording, the master can be set to zero, so the amp is silent and you only hear what's coming out of the monitor speakers.
My RRotm entry is heavily processed. I could post some recorded clips from the line out if there's anything specific either of you want to check.
I think Roland has dropped off on that aspect. Also, for recording they'd have been better off not making the line out speaker emulated so I could use my IRs.
Maybe others have had different experiences. At first I thought it might be my audio interface but my Joyo American sounds good into the same interface.
I'm guessing that no tone you get on headphones from an amp is going to be perfect, but can you get an acceptable tone with one of these and headphones? It would just be for twatting around with my pedals, noodling, composing, without disturbing housemates.
Below is a very raw DI clip I recorded using various settings on my Strat, switching between the clean and crunch channel on the amp.
The tone controls were all at about 12 o'clock. I had the tone switch engaged on both channels whereas for the sound coming out of the amp speakers I don't need to do that. The reverb is from the amp. There's no post processing. It's just a DI from the headphone output of the amp. I can't hear a noticeable difference between the line out and the headphone out.
https://app.box.com/s/678gsx9zo7fy0rkc2pl0jehhtbxc3htw
What comes out of the amp speakers sounds better and has more cut.