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Look at how quickly the Eleven Rack lost its value from "reasonably high end" to "budget", though; Thomann were selling the non-Pro Tools version brand new for £350-odd a couple of years back.
The thing that amazes me is how Strymon are still charging £430 plus for a delay unit that's had zero upgrades or adaptions since its launch over 8 years ago........
I know that my pedal collection would have retained it's value better, but for me the Helix has been amazing. It just works. No messing around, no need to buy 'another pedal'.
The Helix is technology and will be worth half what I paid for it in couple of years time, but if you just buy gear for resale value you end up in a different place. I ONLY bought pedal S/H and ones that other people liked as I knew I could move them on again. Which when you think about it is kinda mad... I ended up with a board that was popular and cost effective rather than mine.
What's amazed me about the Helix is not just how good it sounds (I'm not a tone snob), but how easy it is to use. And how clever it is.
For example I can plug my guitar into it, a mic into it and link it to my laptop and record with just a USB cord.
I had no intention at all of buying a Helix, but I went into Yamaha London and got one for a good price (I hate spending money on myself) Yes I could of held out for a year when they will be £750 S/H but that's a year of not enjoying using it. Which I have.
Personally I think if you like the tinkering side of boards then pedals are great fun, I just found I spent more time making a board and less time playing.
What sets the Helix apart for me is the interface, it's so well thought out. And I don't have to use a mac to get the most out of it. I sit in front of a mac all day, I don't want to go near one when I go home
The other thing that made me go Helix was that I could try one. In central London it's hard to find modelling gear (you can't move for boutique pedals )
Tech depreciates, time is valuable. I'm perfectly happy with digital for guitars, nobody has properly modelled the bass stuff I like to use yet though.
It just works for me. Simple to use once used to the interface and the sound quality of everything, bar the drives, is plenty good enough. My board is much easier to wire up and much lighter than it was a few months ago.
Can't see me changing anything any time soon. All my GAS has gone!
Line6's roll out plan the next 2-3 years is all fine and good but they can't control what their competitors do.
Jeannies out of the bottle (although Yamaha will be hard to beat at their own game)
Strymon MFX anyone??
They are also product marketing geniuses at getting people to buy the same tech multiple times (brigadier, el cap, dig, timeline) so why kill the golden goose?
All this talk of depreciation. I shelled out full RRP for a Helix knowing full well I could have waited 12 months and saved a good chunk of change. However, I'm gigging, writing, playing and recording now and getting all the benefit of owning the Helix now. I'm so glad I bought it, haven't plugged in an amp or a pedal since I did, so I spend much more time playing rather than fiddling with stuff. You can't buy time, so waiting 12 months to save £600 really is false economy
The Helix for me is the better of the 2, easier to use, and (sorry Fractal) sounds better.
Ok, I'll admit that it needs a little more thought setting up in 4CM (as lets remember, its a modeller as well, much like the AX8 which also needs tweaking for 4CM) but once you are there its faultless.
Can't ever see me going back to pedals unless I have (another) mid life crisis and decide that a 4 ton pedalboard and 2 miles of patch cables is the way to go..
Haven't delved into the direct route ( the reason for Helix) yet, but I have sneaked my cab mic cable into the back of the Helix at a gig soundcheck and it produced a sound that I could quite easily live with!!!
Depreciation - well, moot point being an ex-FX8 owner - they have taken a hit due to the impending FX8 MK2 coming out, I have a theory that Fractal don't appear to loose money as the Fanboys tend to hoard their kit anyway so it never hits the used market in any anger when new units are released, so we never see the real drops - we normally see stuff come on the market a good 4/5 years after release when they want to buy the newest Fractal gadget and therefore need to make space in their rack...
I loved the FX8, real quality piece of gear, what I didn't like was the community (Waz, Oct and the guys on here notwithstanding) - a real snobbery about them and a real worship mentality towards Cliff - the guy could drop the smelliest of farts and I'm sure they would all be gushing about it.........
Line 6 seems to be a bit more "workman" about things and just get on with it and don't get into the whole brown nose shit..
ps. Considering Strymon is getting s price hike etc. Then anyone selling a Helix at sub £750 needs to have a word with themselves
So long as the HW stays good, I suspect I will only have to move it on when it stops being compatible with my MAC or PC, as it's now my main audio interface. I have an old cubase interface and a MI Audio Oxygen keyboard/controller that were absolutely in good working order and fulfilled my needs, but the tech around them stopped supporting them, so they became defunct.
Even then, if it still works, Helix could easily remain my pedal board. I still think it has lots of updates to come, but I struggle to see what version 2 will bring to the party that I absolutely have to have?
when I loaded up the patch none of the switches or expression pedals were assigned to any of the effects. This included some switches that have multiple actions etc.
i discovered this just as we started sound checking.... By the time it was my turn to line check the guitar, after the drums, bass and vocals/acoustic I had already programmed the 10 switches and 2 expression pedals back to what they were
show me ANY other unit you can do that with
Used to use my Vox Tonelab Le with a SD-1w in the internal loop.