my Old Wood Les Paul project has hit the wall for a number of reason mostly as my existing piece of 50's Honduras Mahogany was simply not thick enough to repurpose from a junior to a full fat les Paul. Or it could be but it would be les Paul lite which was not what I was after. So now the search is back on for another piece of old growth Honduras.
In in the mean time I have the fancy for another Partscaster but rather than go vintage again I fancied a single humbucker and may be p90 in the neck, rock machine. I have only owned one Floyd style guitar which was an ibanez S type which I regret selling for the odd time I felt the need to let rip.
My question is are the various Floyd licensed trems and I am thinking from Northwest Guitars here any good or do you have to splash out on a full fat US one and what are the main Differences I presume durability but as its an occasional use guitar it does not have to stand up to a hi work schedule.
any advice gladly received thanks
Comments
Makes me laugh, I was listening to a conversation with Vic Johnson (Sammy Hagar band) and he was saying that even among the US-built Floyds he only gets those done in the guy's garage because there's a tone difference.
Oh well, I can't hear it when I'm playing on my Line6 Insanity setting...
Suhr and Ruokangas use the Gotoh Floyd. Recommendation enough.
Brad Gillis also buys up the very first Floyds from the garage years where he can for tone reasons. His No Guitar Is Safe interview goes into detail.
Avoid ping metal like the plague!
I'd also recommend getting a big block for whichever trem you go for.
In reality, as long as you don't cheap out, and you set it up correctly, you shouldn't have any problems. The stock floating trems on my Charvel and Jackson (both Japanese made) are stable and good quality.
The problems with cheap floaters is that they will always go out of tune, no matter how well you set them up or how lightly you use them.
In fact I'm pretty sure I have an original Ibanez Edge sat in my parts box if you're interested. PM me if you fancy.
Cheaper licensed Floyds have saddles and base plates made from softer material so they do not last as long, and they have zinc sustain blocks rather than brass/steel which have an inferior tone and sustain.
Putting a brass block on a cheap Floyd though is a cheap way to noticeably improve their tone, if you're not a heavy user.
In my humble opinion after trying many, the best ones are either the Schaller floyds (I believe they actually make Floyds for Floyd Rose anyway) or Ibanez Lo Pro Edge.
You'll find it easier to put the Schaller on to a strat type body - But Ibby ones can be done if you fancy it.
I personally favour the Ibby ones. In fact I'm having a Lo Pro put in my long awaited Daemoness.
Most Ibanez guitars have locking nuts that are bolted through the back of the neck, which is a lot more stable than most Floyd nuts, which are affixed by two tiny little screws. Maybe that's why some prefer Ibanez bridges for stability.
However, a decent Floyd with a solidly fixed nut is capable of staying in tune perfectly, in my experience.
Yes they have Zinc base plates but with hardened steel edges and intonation points
http://www.floydrose.com/catalog/tremolos/6:special-series/special
As i recall @Jaden has some FRS for sale @ £60 each
http://thefretboard.co.uk/discussion/86376/
http://www.jadenroseguitars.com/pages/43 (bottom of the list)
One major problem with other licensed (or cheap chinese floyds) is that the Arm Colet's are utter shit,they will not choke down to the base plate and leave the arm either swinging madly &/or leave enough space so that the arm moves side to side within the collar,that said ive also had the above happen with on OFR's (both my 80/90 carvins had this issue) and Ibanez trems
so now i almost always replace the arm/collars with Schaller Trem Arm replacements when i can.