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Ultimately stuff comes and it goes current rap and dance music is reaching a plateaux the novelty of so called Ghetto bad boys calling each other the N word and woman bitches and Ho's and what ever latest put down is starting to run its course.
The fact is these days there is a mountain of good guitar related music more available through the internet than ever before.
Everytime someone post something here I always try to check it out see it i like it
As has been said before for me there are only two types of music and I dont really care if its guitar heavy or a banging piano a good song is a good song.
https://www.thegearpage.net/board/index.php?threads/psa-gibson-les-paul-custom-shop-price-blowout.1802214/
Or at least, I like it more than a boreburst one. I wouldn't pay four grand for it though…
This brings us on to the next problem for the traditional makers. While it's true that there are still many young musicians who play guitars, a guitar that costs more than a fairly decent second hand car is not even on their horizon. They don't care, and rightly so - if the chap from Coldplay can play Glastonbury with a Mexican Fender, why pay more?
The £1K+ market is dominated by aging classic rock fans who buy multiple guitars, and that market *is* going to die - literally.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I suspect the passing of the Baby Boomer generation is going to shit up the music instrument retail industry seriously, in so many ways.
Don't talk politics and don't throw stones. Your royal highnesses.
Juniors @£1k. SG's @£1.5k. Les Paul's at £2k and 335's from £2.5k. Plenty of room for special editions within that, limited to 50-100 pieces each, but 3 weeks of the month should be focused on the standards.
The Gibson that sell well are always the ones closest to the archetype.... just focus on making those as good as possible and spend less time making unprofitable models that don't sell. It needs to be a smaller company with less staff who can then be trained and paid better.
i live innovative guitars, I don't think that means Gibson need to be innovative.
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If only they had a management team that thought like that huh?
Until there is a chapter 11 bankruptcy and they can write off the debts, they can't go to a model like that. They have to try and sell multiple tens of thousands of guitars per year so that they can spin a story to the banks that they have the means to service the debt.
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Squier and MiM Fenders do well, I believe. Purely anecdotal and based only on my own suppositions, but I don't feel there is the same love out there for Epiphones. The headstock certainly doesn't help.
The SE range from PRS is taking business that Epiphone could be taking, IMO
*This is a brand new item, never sold. We received it directly from Gibson, but are no longer Gibson authorized dealers. May or may not come with Gibson warranty.**
Oh, and of course lots of bands starting off are still on Epi's (Oasis for example if you see early video footage) and of course Josh Homme sometimes uses an Epi Dot live.