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If you could push the boat out or put in a cheeky offer I can vouch for these, really really good little amps, apparently designed by Quad , the dual concentric potentiometer is pretty much unobtainable unless you do away with separate volume controls for left and right so make sure the volume knob works and its not dropping out on either channel.
http://www.ebay.co.uk/itm/wharfedale-2050a-amplifier-/282367391537?hash=item41be687731:g:CMQAAOSwtfhYqtd~
for mass-produced Japanese/far east amps/receivers, just look for the weight
if you need both hands to lift it, the PSU will be meaty. Makers don't add that for no reason
some AV amps sound ok, but either way, ideally get a high power plain amp, 100w a channel or more
I'm just pointing out the easiest thing to check when buying used cheap hifi amps:
no one makes really heavy low-spec amps
you can find high spec low-power amps that aren't cheap
but looking for bargains, just look for a heavy amp from a brand you know
btw
to save me typing it, here's why 150w-200w a channel amps are excellent for hifis:
http://www.enjoythemusic.com/magazine/manufacture/0907/
This is the inside of a Wharfedale 2050A, lovely sounding thing, quite a low profile and not very heavy at all, but really, its a lovely sounding amp. They don't really need to be heavy unless for damping reasons or you want something with a lot of power, 50WPC is way way more than Ill ever use.
I have a Marantz PM6010 KI here and its got a massive toroidal tranny in it, does it need it? I'm not convinced it does.
all the reviews are good
you must have had a duff one
Really? Perhaps my speakers (Yamaha NS670) are too efficient, so considering the operating power is 6.3 watts to obtain 96dB at one meter, I cant be arsed, can you do the math? Put it this way, my amp never gets driven at very high volume, it doesn't have to.
The Pioneer, don't get me wrong , it was a nice amp, but by todays standards it was pretty coloured and muddy, but its one of those things, like guitar tones, one mans poison is another mans audio nirvana, some will like it and some will like the opposite. I was sad to see it go though.
The BM10 does Apt-x codec apparently, not that I'd know or use it and hooks up to Android devices easily with no drop outs and also the Logilink Bluetooth V4.0 USB adapter for a computer running Windows 7 or 10. The Sony has phono out and a some sort of DAC in it, so you simply just connect it to the aux with phono plugs. The Logilink also does Apt-x. apparently, although I mostly just stream YouTube.
So yeah, I'd focus on getting a good amp or maybe a more modern receiver, depending on what your speaker set up is and what you primarily want to use it for and not worry about digital connections at all, just buy a separate bluetooth receiver.
Alpha 9's are similar amps.
PS. Mine looks bigger than yours.
I've done the math before, not enough time this morning, dBs/dBv/dBw and are hard to explain, that link I posted covers most of it, but I'll summarise:
To handle transients properly on a hifi you need a lot of headroom
Good CD masters have far more headroom than LPs, 7 or 8dB more I think
to play at the same apparent volume as an LP with a good CD needs about 3 or 4 times the max power to avoid distortion
Most hifi speakers are not very efficient, 86dB at most at 1w/1m
My 1970s tannoy Ardens were 91dB, nevertheless, I drove them first with a 160w or 200w mosfet power amp on each side, then using a NAD C370, which peaks at 180w a channel. This was for studio monitoring and pleasure
Eventually, the NAD failed, and I had to use a lower power amp for a while. Immediately, the drum samples sound wrong, the overall sound on a good mix was distorted, since now the peaks were being cutoff by distortion. This is a real thing.
Have a look at the power rating on near and mid-field studio monitors: these are not made powerful because of a hifi cork sniffer's fad, it's a fact that studio engineers demand headroom to be able to hear the music properly
My ones are here: http://www.focal.com/sites/www.focal.fr/files/shared/catalog/document/CMS-65-specification-sheet-2962.pdf
100w for the woofer and 60w the tweeter on each side
Even with that, it's not enough to handle bass properly, so most use an add-on subwoofer, as I do:
http://www.focal.com/sites/www.focal.fr/files/shared/catalog/document/CMS-Sub-Specification-sheet-3014.pdf
that is 300W, and enables me to filter some bass from the near/mid speakers, which are a bit weedy on 100w each to be able to do bass properly
Main studio monitors are far larger and more powerful, I've seen 200W+
see this:
https://www.sweetwater.com/insync/studio-monitors-buying-guide/#power
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I'll start on Fourier analysis of OD signals next if you want ;-)
Required Power: The RMS watts per channel required to produce music at the desired SPL at the listening position.
http://www.ebay.co.uk/itm/PIONEER-A-400-stereo-integrated-amplifier-HIFI-AMPLIFIER-/201831591014?hash=item2efe19ac66:g:zIMAAOSwdGFYsCZ4
Its not that I doubt what you are saying, but for home listening do you really have it up that loud?
Speakers specs are Crossover: 800Hz, 6,000 Hz (12db/Octave)
Fundemental resonance frequency 45Hz
Impedance 8 ohms
Output sound pressure level 96db/1m 6.3 watts input
Normal capacity (Maximum input capacity) 50W
Frequency response 40-20,000 (50-20K + - 3db)
I recently got the new wee Arcam. Not particularly heavy, not particularly powerful but sounds really nice - looks reasonably similar still!
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