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It's quite sad in its own way...
I still like the old JB bucker (which is considered high'ish output)....still a firm favourite of mine even tho tons of newer pups have come out since. It splits nice in a Strat, and has a nice creamy tone that is classic. I don't like high output ceramic ones in the bridge like the Evolution - too thin for my tastes. Sure sounds great with lots of gain but crappy n thin with clean - crunch sounds.
For clean sounds I usually always seem to notice what sounds great clean will be nice dirty...but maybe not always as defined or focused....but hot dirty pups are harder to sound great clean. IF you got a high pass filter on your guitar to retain the highs when you roll back the volume that helps a lot...most guitars don't though.
Single coils - I like to be a bit hotter at least in a Strats bridge position - I HATE that skinny thin claws down a blackboard sound of some Strat bridge pups. Just installed a set of Lace Sensor Red/Silver/Blue in one of my Strats and I really like them. More guts but still sound stratty. The Red in the bridge definitely loses some of that stratty twang but not to the point where you think its a humbucker - still sounds like a Strat just a bit creamier/warmer and angrier.
mid output ones (like the Fred/Paf Pro) sound good and are probably as much of the 'best of both worlds' you can get....middle for diddle n all that.
But....the Bare Knuckle Crawler Bridge Pickup (15k) does have a rather stunning clean sound with the volume between 8 and 9.
If you see someone online say that that this pickup "cleans up well" then frankly that is insulting to BKP.
It is much better than that.
I am not clear what conclusions to draw, or even why I started this post.
But I will say that if your experience of higher output pickups is based on your experiences of earlier designs (maybe from Gibson).....keep an open mind.
@axisus I think you might be local to me. So you are welcome to try it in Luton as long as you are not a serial killer. PM me if you are not mental.
Mine's about 13.5k and works for pretty well everything, in fact I don't really play any level of gain above a mild crunch at all.
I guess I'm the only person I know who uses high output pickups and high gain amps for pop/country covers, but I use my guitar controls a lot and I like having power in reserve under my fingertips.
I don't think there's one answer. I know I like both, depending on what I'm after, and also in-between.
A buddy of mine is gain crazy and must have the highest gain amps and most powerful pickups available. I don't knock it but it's really not my thing. Even he admits it's all about gain and nothing at all to do with tone.
Not really into ceramic magnets either, although that said one of my fav live album sounds is a ceramic overwound single coil into a cranked but still clean Boogie MKII, so maybe I'm just an alnico snob.
There is no 'H' in Aych, you know that don't you? ~ Wife
Turns out there is an H in Haych! ~ Sporky
Bit of trading feedback here.
One is an LPJ single cut with one P90, the other is a Trussart Steeldeville with TV Jones Ultratrons, which aren't high output by any means. The P90 has more, quite a bit more.
That's as much output as I can cope with. Both guitars retain a huge amount of character and sound great on the edge of break up and a bit beyond. High output pickups sound bland to me, and I like a crunchy rather than a flat out driven sound.
EDIT: To clarify- that's not to say that all high output pickups are good, of course. There's certainly a bunch I'm not that keen on.
One guy I supply pickups too gets an incredibly high gain thick lead tone with a pair of Black Labels running cool tapped into a mark IV mesa. The low output keeps the articulation.
Experimentation is key, there is no right or wrong.
Bandcamp
Spotify, Apple et al
signal noise ratio? that'd be my guess.