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Only thing ive had cone close is the le pou stuff through some decent impulses but they are way less flexible.
If you are using Logic/Garageband though, @Jeremiah makes a good point - literally two nights ago I was messing about in Garageband and it seems they have added a ton of guitar and bass amps and effects in the recent revisions to it! It used to be quite sparse, but with a little digging there is a lot to try out, and it really impressed me (although its not the most user friendly to work through and select cabs, etc). Can't honestly say how good I think it is overall as I've only just scratched the surface on it really and again, I'm probably not aware of some features/functions, but I would give it a try too before you buy another full program/suite!
Just curious, but what impulse software/impulse collections have you used @digitalscream?
I've got a decent pedalboard setup so have been looking at this sort of option to potentially have an ampless setup - might even try Digitech's CabDryVR sim stuff when it comes out. I rarely play live anymore so when its just me playing at home, I'm looking for something that sounds good but doesn't annoy everyone around me!!
The OwnHammer stuff sounds every bit as good as Wall of Sound III, without the CPU overhead or the cost (although I'll probably donate to the cause at some point, because they're that good). It also means that I can run them with Harrison Mixbus natively in Linux as well as Reaper under WINE; Linux Mixbus doesn't support Windows VSTs (only LV2 plugins), so there's no way I could run Wall of Sound III.
As for the impulse loader software, I use NadIR when I need a VST, and some open source thing I forget the name of when I need LV2.
Im struggling to get sounds I like - most are quite muddy - but I'm a bit perplexed by how all the various volume sources interact and I suspect this is why I'm not thrilled with the sounds I'm getting.
Theres the input level on the Scarlett interface I'm using (as well as the gain) then there's the volume on my monitors in addition to an input level within amplitude itself, as well as master/output volume on amplitude as well as volume and gain controls on individual amps!
You could even check out the article I wrote last year on gearnews.com about it. I think if you have a spare 15 minutes in your week, the IRs can make a big difference to all these amp simulation packages.
Article link below
https://www.gearnews.com/using-impulse-responses-to-achieve-great-recorded-guitars-tones-in-your-daw/
If you need some tips, I did a whole series of these articles and listed a load of freeware and basic recording tips that might be useful for some of you.
Win a Cort G250 SE Guitar in our Guitar Bomb Free UK Giveaway
FWIW I used AmpliTube on an album I did a few years ago and it sounded great
but you need to know what combinations work. It's really easy to set up a terrible sounding rig
it really helps if you know what works in real life and then copy that
http://www.thefretboard.co.uk/discussion/102316/psa-for-helix-owners-lots-of-free-irs#latest
If you want to go commercial, this pack covers pretty much all standard bases and sounds great. There are lots of options but there is also a quick start folder if you just want the best overview options.
http://www.ownhammer.com/store/index.php?main_page=product_info&cPath=180&products_id=403
The other commercial company that does easy to use stuff is Celestion Plus, who name the IRs descriptively.