It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
how do you go about getting the absolute best tone from your amps rhythm channel, for a nice clean rhythm tone .......which PUP do you use, neck or bridge
do you locate that little "shelf" of tone lurking in every pot, where all the action appears tae take place , and then just centre the pot there....?
how do you do YOURS?
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Not really, Volume 4, treble 5, bass 5, reverb 3 pretty much covers it.
Neck for rhythm, obviously.
Bridge pickup- volume on 8/10 for rhythm, 10/10 for solo.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
I normally set my guitar's volume at about 6 or 7. I then play with the amp's volume and gain controls so that the sound is pretty clean but will get dirty by turning up the volume on the guitar and will clean up by turning down the guitar.
For tone I tend to start with the amp EQs all at the halfway mark and then tweak to taste. So it's mainly a listening thing and deciding that I'd like,say, a bit more bass and then adjusting things little by little until I'm happy.
I do find though that moving the amp into a different sized space can require quite a bit of tweaking to keep roughly the same sound.
it sounds crap but it's worth it for the cool points, if I have to suffer for my art, so should my audience.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Adjust if it doesn't sound good like that.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
With these, the manual sample settings really are the best place to start (bass/mids in particular need to be lower than you'd think).
All of which encourages me to seek out a simpler alternative....
I have a Diezel Herbert. 180w, six EL34s.
Here we are dialling it in before my gig last Saturday:
https://i.kinja-img.com/gawker-media/image/upload/s--WDVYl2QQ--/c_scale,fl_progressive,q_80,w_800/1526645637873028931.jpg
6db boost with a tiny bit of delay for solos.
https://soundcertified.com/speaker-ohms-calculator/
My Laney Cub head is usually pre-amp at 2, master volume at 9, treble 7, mids at 5 and bass at about 6 (all 'ish'). Tone control is set to about 2/3rds and reverb on 7. This is a slightly edgy sound with reverb, although I can up the ante on both counts nicely with my pedalboard.
Both amps go into a home-made 2x12 with Celestion G12-75s (I think...). The Laney sounds great but it really is running at the top of it's capabilities to push the volume out, whereas the Selmer is barely ticking over. If only the Laney had a few more watts!
I like to have the power under my fingertips to make the occasional phrase jump out then to drop back behind the vocal again.
At the other end of the complexity scale is my Mesa Express 5 25 - in addition to the regular bass, Mid and treble, you have the choice of further tonal options via either a 5 band graphic eq or pre-configured contour control. Add in the choice of 4 different preamp voices and 3 different power configurations and it gets complicated. The manual is a godsend and the consensus seems to be to work from left to right, starting with gain level (which affects the tone as well!!) and then on to treble, Mid, bass in that order.
I start with everything about 9 o' clock and adjust from there.
I've also found the little "shelf of tone" method works really well too.
I remember one of the guys at Marshall telling me for a classic Marshall based amp, dime all the tone controls and then back off whichever control that removes any unwanted 'bits'. That doesn't work with Fenders so much but it certainly works with an old JMP.