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View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
Be careful with that. I took my own head off because the compressor mix went back to 0% before the feedback started ramping down, and I destroyed my face with really loud delay echoes.
Not quite the same thing and an actual analogue delay but, somewhat randomly, I had an online chat with the chap who designed the DOD Rubberneck, which has a loop ( ie you can effects that work on the delayed signal only) and he said he puts a compressor in there to manage the level ( otherwise it would just get louder and louder as it oscillates).
Andy Summers used to use a compressor after delay in The Police, although not for the oscillation stuff but because he liked to make delays 'pop' but didn't like the extra level.
Good idea with controlling compression with an exp. Potential to kill the ears, by the looks! :-)
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
A similar principle to the Beny Benassi synth sound on Satisfaction (there's a blast from the past)
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922