It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Yes, I got this a day ago but have yet to have a listen to the clips. I just wonder though if the 'improvements' are those developed for the confusingly named 'Artist' and if so what will be the impact of sales on that?
The Venue range were originally made as 'budget' amps. They all followed a common design brief, just EL34s for instance, even for 20watts and so if they get pimped up will they still be such good value?
The HT-5 and its derivatives is a rather different beast (and unique until Bellringers stole it!) and not in the 'mainstream' of the Venue range.
The Katana seems to be sweeping all before it? I wonder what the Northampton design bods are working on to counter that?
Dave.
From the back views it looks like they're still fitted with Seventy/80s, which are one of the worst speakers Celestion make - and it's quite an old model now, there are several new models which are getting great reviews. Even if they didn't want to go to the expense of (say) a Neo Creamback, why not the new V-Type? It's not much more expensive than the Seventy/80 and it sounds far better.
I imagine the form factor of the HT-5 might make it difficult to get the extra clean channel control to fit, which might explain why it's not included.
The problem for Blackstar vs the Katana is that the concept is broadly the same as the ID series, but the Katana is less than half the price if you compare the Katana 50 to the ID60 combo, and the Katana 100 head is still cheaper than the ID100 head even though it also has a speaker built in.
Still waiting for a lunchbox-size ID60 head that isn't 50% wasted space too!
I hope they aren't falling behind the curve a bit...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
is it crazy how saying sentences backwards creates backwards sentences saying how crazy it is?
Do you mean the Behringer story? If so they just copied the cosmetics pretty verbatim and from the claims made, much of the circuitry. The amps were not supposed to come to this country (where B's could 'ave 'um!) but I think a few have. Only the giant MVFP companies can fight such things worldwide.
If you mean the difference twixt the Five and everything else? Well, 12BH7 for starters! It has been said by others and it is largely true that the Five is an HT pedal with a MOSFET PI an a valve OP stage but that is slightly unfair IMHO. Before HT5 V low power guitar amps tended to be single ended and very basic. One VC, one Tone pot. Single speaker Z, no loop, no headphone out and generally poor performance.
Apart from its low, clean power the amp is pretty much everything you need in a gigging and especially recording amplifier (unless you are ICBM!) Gigging?? Yes! Into a decent 100dB/W speaker it can hold its own in a small venue with a vegan drummer.
The Venues, HT-20 and up are more convention designs. Op amps yes but valve stages where it matters and they were designed by a different chap, Cliff Brown who has gone on to produce his own designs and very good they are too!
Dave.
So I wrote back and asked if it was a good celestion like any speaker not the 70/80 or is it a 70/80
They haven't responded.
I just don't get why amp manufactures don't put in a speaker that really suits the amp and shows it in its best light.
Prices are noted on GuitarGuitar's page - £849 for the HT Stage 60 2x12 so hardly budget territory any longer...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Yeah it's easy to forget that all prices are going up when you're not longer in the new amp market. I took a peek at some new amp prices and was surprised at some of the costs, but it's pretty much across the board.
Hopefully they'll take that design point on to the next series of ID TVP amps too
WRT the speaker situation? I really don't know and I have said this before but... The speaker in combo is a big single cost item and (as the price comparison debacle above shows) this is a HUGELY competitive market.
Blackstar must know by now that some people are not happy with the units they fit to some of their amplifiers but, they probably get a really good deal on the 70/80 (and Focket) and unless amps were coming back en mass or getting slated in the press they will continue to fit them. It is not as though the drive units are unreliable AFAIK?
Some here will say, "But! The amps would sound SO much better!" Well, to THEM perhaps but will 90% of the punters pay another £10? Or will that tenner push the amp into another 'price brand' and lose a sale?
Not, I don't think to just make a bit more profit but mainly to keep an 'edge' on the competition pricewise. There are enough amp makers here who will surely tell you that the ratio of BOM spend to store cost is about 1:10! Not that high for high value, low production amps of course but anyone who has been in serious manufacturing will I am sure agree.
Dave.
This is actually one of the reasons I think the V30 is so popular with manufacturers - it's extremely loud (and as we know louder sounds better!) and really cuts through a noisy shop environment. Take any decent amp with something like a Seventy/80 and a comparable power/quality/price amp with a V30, put them together in a shop and the customer is going to go home with the one with the V30. (The V30's lack of subtlety may only become apparent later…)
OK, in today's world of online sales it's possibly less of an issue, but even then when the punter takes his new 40W amp with Seventy/80 along to a band practice and his mate's 30-watter with a V30 walks all over it in the mix, he's going to be a bit peeved. And since most punters don't know how much difference the speaker makes, they're just going to assume it just isn't a very good amp.
Given that the new Blackstars are substantially cheaper than the industry-leading Fender offerings of the same power and speaker arrangement (I admit I haven't looked at other similar amps) my conclusion would be that they've overdone the penny-pinching on the speaker. I certainly wouldn't advocate going too far the other way - or to a V30 even, I don't think it would help the voicing - but they could do a lot better for not a lot more cost.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
And THAT ^ is a point I thought to make but thought I had droned on to an amplitude!
I would guess 90% of the buyers of Blackstar amps never compare them to another and many never gig!
Take the HT-20. Just about loud enough for gigging but very well specified for home practice and recording. The newb will not know the speaker is bad (it annoys mum, gotta be good!) and the recordist will likely run emulation through monitors or cans.
The seasoned player who wants a decent amp of modest power, size,cost and weight, maybe micc'ed up on stage will KNOW to fit a better speaker (or, more likely, have a gaggle of cabs to pump it through)
Of course the top of range Artisans have Greenbacks and V30s but even there, parts of the world wanted V30 in the A15! Can't please all.............
Dave.