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Comments
Found it a bit disappointing to be honest, basically 45 min of trying out Sun Faces and Dan is a complete waste of space throughout with his gibbering and pulling silly faces, he contributes very little other than just sitting there saying "wow, I mean wow". You'd think a man in his position would have tried a Sunface at least once before, it's all left a bit to Mick to pull it together and even he seems to getting a bit tired of Dan's constant "I'm struggling to comprehend this" nonsense. Was hoping for a bit more input and fuzz discussion with Analogman Mike, but hey ho.....
Being 100% honest, I couldn't really hear much difference between the different flavours of Germanium or Silicon, and I'm not that convinced I could pick out that much difference between Germanium *and* Silicon. They all sounded great but I didn't hear any night and day differences... and that leads me onto my point.
I've built a few fuzz-face based circuits and assuming you get the bias right and the transistors are there or thereabouts, it will sound like a Fuzzface no matter what transistors (of that type) you fit. There is a *feel* difference sometimes - sometimes it feels more spongey, other times it feels more attack-y. However, those differences are minutae - and certainly not within the bounds of the compression used on Youtube.
I did a blindfold test once between a late 60s genuine Fuzzface, an Arbiter 1990s reissue and a homebrew (not one of mine) clone... I chose the Arbiter as the one I liked best, but they all sounded much of a muchness. There was a feel difference between them - the way notes fell away and especially when you backed off but it wasn't chasms of difference. When I hear people blathering about the fuzz face circuit and that they are "experts" on it, I tend to have a little chuckle to myself - there are nine components and two pots... a bit of perspective, chaps...
I'm sure these are fab pedals - most Fuzzfaces are - but realistically, the differences between them are so slight they are not worth worrying about and certainly don't need 45 minutes of wigging out with comments like "wow" or "magic" (its not magic, its simple electronics). I think that video was just what is called "advertorial" in publishing circles - the cynical in me wonders what Analogman boxes went home in Mick and Dan's hand luggage as a result.
That said, I like how they sound and I will probably try and build one.
I’ve really struggled with justifying £200 for a fuzz but getting one that actually works with my gear for a change feels like it justifies the price.
Quite like knowing it’s been assembled in a workshop rather than a massive factory and Analogman were very responsive and helpful during the ordering process.