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Check out how Ritchie Blackmore tackles it with his 2-note chords (Man on the silver mountain, All night long, etc).
Transpose it up a semitone in g# minor.
Transpose it down a semitone in f#m and play the D thumb-over to get its bass note as low as possible - that’s probably one of the most common ways of playing that particular i-vii-vi progression. Or do it in e minor of course.
Or you could play the Eb in 1st inversion which will sound a bit odd but at least give it as low a bottom note as possible. 3 1 1 3 4 x , or the C-shape Eb/G 365343
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
“Theory is something that is written down after the music has been made so we can explain it to others”– Levi Clay