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Indeed they are.
You'll recognise them easily by their "Bluesman" attire, living the American dream in Clifton:
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/
Yeah, authentic, too - the manufacturers get a 100% genuine tramp to wear them for 6 months.
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/
Or something like that.
Actually, I don’t know, sorry.
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/
What a cunt.
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/
In a generation that now often writes in textspeak the quality of writing in all sorts of stuff is quite frankly abysmal.
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/
https://www.facebook.com/benswanwickguitar
https://www.premierguitar.com/articles/26978-eclectic-effecting-101-how-to-use-stock-pedals-to-unlock-new-sounds?utm_source=Sailthru&utm_medium=email&utm_campaign=PGN - 021318&utm_term=PG Weekly
Hope the link works...
I first bought Guitarist back in (guessing) 1985, if not 86 - one of the early issues.
Then it had loads of adverts and interesting reviews/interviews and was the only source of info really.
Now there are forums like this, which give more information and the internet for prices/news.
I find Guitar (ex Guitar and Bass), just about right for me - I'm a middle aged guy, but I don't like being reminded of it every page - there's some stuff I don't like, but much that I do and some which surprises me.
Guitarist I'm really sad about, I used to subscribe and then stopped completely for a couple of years. Now I've bought the odd issue and at that level (airport browsing), it's ok. But for me buy 2-3 issues in a row and you see the repetition.
It's also very expensive.
What I've just done, which I'm happy with is the digital subscription - it costs me £6.95 a quarter, so basically a third of the price - I can read it just as easily on my iPad and I don't have the clutter, or disappointment of shelling out 6 quid or whatever it is only to take it out of a plastic bag and be done in 5 minutes.
For my taste, I have a similar feeling with That Pedal Show - I used to devour that, loved it, watched it 12:00:01 every Friday. Now it's like they've said almost all I want to hear. Mick especially really reveals his Guitarist training, that's nothing personal against him - but I do feel the magazine is too safe, too in bed with certain brands etc. They should strive to be excellent, not average.
At the moment, the whole magazine feels like the cool guy in the leather jacket working in Denmark Street in the early-mid 90's.
Cool in their own mind because of association and the industry they work in, but reality - just not.
The current burst issue is a case in point, that was just a disappointment. Whitesnake was my first 'proper' band, in the Bernie days - but really was he the best they could do?
Why not have an indepth interview with a collector, or even Bonamassa (they have his number for sure), get him in detail to explain about his Bursts, the ones he's sold, the ones he's passed on, what he's learned about the history etc.?
Clear?