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Any opinions on how the Ant 1 JM pickups sound through 500 or 250k pots?
A bridge pickup that is slightly overwound (when compared to a Fender "matched pair") is in my experience a good idea as it balances better with the neck pickup and brings more depth than is present in the AVRI - not tried the 65's so can't comment. I recently replaced the pickups in my CS JM as the pickups were very similar to the AVRI (might even have been AVRI) and went for the Mojo OWB set and would not hesitate to recommend them. They sound like a JM should.
I've tried a fair few of Ash's pickups, currently have them fitted in two guitars and am delighted with them, not tried his JMs though - I would expect them to be good too.
In my experience the Mojo's with the overwound bridge are hard to beat though for the classic JM sound - would be my recommendation.
Point is, compare an AVRI 62 or a CS to a real 1960s JM and there is a world of difference in sound. Fender missed the boat by a long way - compare the same guitar fitted with Mojo pickups and you are in the sonic ball park. Ask me how I know... and no, I left my Top Hat and Marshall at home that day.
For preference, I prefer a slightly less clanky bridge pickup (slight overwind) as I can’t stand Fuzz boxes by and large. And with a cleanish AC30 or HiWatt, or with a mild overdrive I find the original wind doesn’t quite do what I want it to do. I also prefer the slightly squidgy attack of A3 magnets.
But, if we all liked the same thing...
The Ant1 is thick and warm but with clarity - best neck sound I’ve ever had. Mojo is great with a strong enough midrange to keep up.
FYI Nels Cline specs new Jazzmasters with Antiquity 1 pickups and 250k pots so have a listen to him.
No searing lead tone from my JM, or any of my guitars for that matter - not my bag I'm afraid, I'm not a dirt or drive guy. I only replied because you seemed to be implying that people were blindly (deafly?) replacing AVRI pickups when AVRI pickups are "all you really need".
If an AVRI JM sounds like what a JM should sound like, then every vintage JM sounds wrong!
I still don't understand this line...
"it's not like anyone is driving an amp with the bridge pickup without effects anyway"
Really? Thats quite a statement - I think Elvis Costello may have other things to say about that. Having watched him plugged directly into two AC30s with a curly lead (via a tuner - and a clean boost for a couple of sections), I'd say that a vintage Jazzmaster sounds epic used in this way. An example from the same time:
Oh and before the pedants start... I know that track uses both pickups on together.
Not *everybody* uses fuzz with a Jazzmaster - and perhaps those that do become deaf to the nuances, as with a lot of fuzzes the sound you are hearing is mainly the effect and the guitar is just acting as a controller. In fact with some fuzzes I can think of, you can plug *anything* into it and it will just sound the same... so what guitar you play becomes only of relevance in terms of image and style (to the player).
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
That Seth Lover design had a different number. It is described in an interview in an A. R. Duchossoir book about the history of Gibson electric guitars. I am too lazy to fetch the book.