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I usually put the drums out to separate tracks in Reaper, so I can use a common bus reverb that I use in the other instruments, and tend not to use the reverbs in AD2. I find using a common bus reverb helps to make the various instruments sound like they're in the same space, unless I'm going for certain effects with the reverb.
Putting the drums on separate tracks in Reaper allows me to vary the amount of bus reverb on the various kit pieces. For example, the kick is generally quite dry compared to the snare and toms.
I do the actual EQ'ing within the AD2 VSTi, which allows the kit pieces to be EQ'd separately.
Kick:
Kick mics get summed together on a bus.
A bit of corrective EQ on each kick mic.
The Kick bus is EQ'ed and compressed and bussed to a master drum bus.
Snare:
Snare mics get sent to a Slate Tigger 2 instantiation and a replacement snare is blended with the originals.
Snare mics + trigger get bussed, corrective EQ and compression on the bus.
Waves L2 or Elevate limiter put on snare bus.
I am looking for a lot of 'splat' from the snare.
Toms:
Toms get eq'ed individually and bussed to a Tom bus.
Tom bus has EQ and compression.
OH's:
OH's get bussed together to an OH Bus.
OH Bus has EQ and compression on it.
Room mics:
Room mics get bussed together and slammed with a Distressor or API2500.
Sometimes I use an EQ but not often.
Then all the busses (Kick, Snare, Toms, OH, Rooms) are blended together.
I like kick and snare up and the room mics quite low (because they are slammed).
I use very little reverb, maybe a bit on snare, because the slammed room mics will give you a nice roomy sound that is better than reverb.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
There is something of the original snare in there but I use some sounds that I captured at a very good studio a few years ago.
It isn't a commercial sample library.
Really the key thing is crushing the room mic, often I use a single mono room about 2m from the kit.
With a Distressor I might get 20db of gain reduction, quick attack, slow release.
It sounds amazing.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
I generally listen to preset sounds in AD2, (or whatever other drums VSTi I choose to use) until I find something in the general area of what I like. For me, the drum sound has a major effect on the mood/style of the piece. After that I usually remove the reverb from within the drum VSTi and split the sounds into separate tracks so I can use a bus reverb as described earlier.
I usually tweak the settings in the drum VSTi so the individual kit pieces work in the track. That's not only EQ but also the other kit piece settings in AD2.
I'd probably still split the kit out onto separate tracks, because typically I'll want to send different balances of the kit to different busses - The whole lot to the drum bus, obviously, but then if I wanted a parallel distortion or a hyper-compression bus, I might well want a different kit balance going there or to only send certain elements.
As far as EQ... again, having tracks split out at the start just makes things easier, no matter what you plan on doing. EQ'ing the drums on the bus is a nice way of shaping the whole kit together (EQ shifts phase, so if the high end of the kit sounds nice, tight and snappy but you want slightly more of it, +2dB of high shelf on the bus will maintain that snap better than +2dB on just the overheads, for example). On the other hand, if there are boingy resonances on the close mics, deal with them on the individual tracks because quite often the same frequencies on the overheads/ room mics are quite tasty.
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I'm trying to concentrate more on writing (including composing drum tracks) and getting better at multitracking guitars, and less on messing around with sliders.
To me the drums sound "OK" but I'd be grateful for any honest feedback based on my ROTM/comp challenge submissions as to whether I should learn to process the kit more.
Not saying you haven't done a good job but there are a couple of tricks that might help.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
I'd also point out that the most useful information I found was a tutorial by Nolly off of Periphery, which pointed out that is important to use the velocity setting to get the sound you want and ignore the volume. Don't think of it as playing a real kit but as a means to get the best from the samples.
For example too hard on the kick can cause it to sound short and weak whereas overheads might benefit from being walloped. Snare can be hit fairly hard as can toms. Once you have the sound you want you can adjust the volume for each part.