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Many guitars have a re-sale value. Some you'll never want to sell.
Stockist of: Earvana & Graphtech nuts, Faber Tonepros & Gotoh hardware, Fatcat bridges. Highwood Saddles.
Pickups from BKP, Oil City & Monty's pickups.
Expert guitar repairs and upgrades - fretwork our speciality! www.felineguitars.com. Facebook too!
I was due to buy one when the initial spec and hype were announced and was perceived to be a clone of the Mk50 MK2. While they look to be a great amp with a practically identical layout they sound little like the MK50
Took it to to rehearsal on Thursday, it’s pretty good!
The only way I can really describe it is, it sounds like a cornford preamp into a jet city power amp, it’s certainly unique. I need to do a few valve swaps and I think it’ll suit 6L6 better and I need to tame the huge levels of gain!
Don't talk politics and don't throw stones. Your royal highnesses.
Check out this video at the 16 minute mark
It really baffles me why so many FX loops are so poorly designed. It’s not rocket science, but the number that do this sort of thing, or operate at the wrong signal level, or have poor parallel mixing which causes trouble with phase and/or latency, or are in the wrong place in the circuit (not after all the preamp distortion) seems to vastly outweigh the number which do everything right.
What’s astonishing is that some of the very first amps to have loops - the Rivera-designed Fender Concerts - are still among the very best. If Rivera could get it right in 1982 almost working from first principles, why can’t modern designers?
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein