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Comments
Remember, it's easier to criticise than create!
I'd be tempted to just move the Kemper. If you want to spend money get some other speakers you don’t need to move, and double up on cabling so you’re only unplugging and replugging the Kemper.
I'm not going back to Katanas live because I know from experience how venue-sensitive they can be, but I vastly preferred the 50 to the 100. Although it obviously sounds more boxy because of the smaller cab and possibly the different speaker, it sat more naturally in the mix in a kind of tweedy way which I loved.
If anyone is shifting a used 50 let me know, I'd love one for the house and maybe as a backup.
Ive managed to get a rather nice edge of breakup plexi like clean channel and a nice dual rec sounding gain channel and I’m now very happy with the Katana 50.
I do have A THR10X that I think I've been using with a dodgy cable. If that's the reason it sounds weird I'll be happy with it in the bedroom. Otherwise I'll look to get a Katana.
I've been tempted to shift to the Adio but the Katana also interests me. The break the bank option is a Helix LT and some monitors. I know to some the THR is the best sounding practice amp but it seems that others are more satisfied with some of the other options.
I'm more interested in cleans on break up or lightly overdriven hence the 10c.
Unless, of course, you want to buy something new and different !
We all have that kinda gas
I dont many situations where you could be happy playing any of these cheap modellers when you have a perfectly good Kemper set up in the same house!
unless
A) your house is so huge that moving around rooms is a chore
B ) there’s a physical reason you can’t move as often
C) people sit where the Kemper is currently - in which case just move the Kemper!
D) you are a filthy GAS whore.
I'm sure there are other more "ampy" sounding options, but for ease of use and portability the Yamaha stuff is outstanding.