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The problem with microphones is they work differently on different people.
It is as good a choice as anything if you are buying blind.
Usually I recommend a different mic for acoustic guitar (SDC) than I do a vocal (LDC) though.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
One or two mics will get you pretty good results if you have decent outboard- mic preamps, compression/eq and converters.
Plus monitoring and acoustics of the rooms.
A lot of the time people try to buy their way out of trouble with a mic only to still try to record in an untreated box room through a £50 interface.
It doesn't always go that well.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
If you have any questions feel free to ask.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
The SE X1A (yes, really) has the same options and is also excellent, and significantly cheaper than both (about £85 new).
Band Stuff: https://navigationofficial.bandcamp.com/album/silhouette-ep
I've also got the Superlux E906 knockoff, which is probably the best value mic I've ever come across (albeit only for using with guitar cabs).
https://open.spotify.com/album/1pcKDSOLFk4dXDcNFNsN4e?si=KhHG26vgQeerEj1kF-177w
I recorded my acoustic using it here too if that helps at all: