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http://www.thefretboard.co.uk/discussion/150959/whats-this-style-of-blues-called#latest
Chips are "Plant-based" no matter how you cook them
Donald Trump needs kicking out of a helicopter
Chips are "Plant-based" no matter how you cook them
Donald Trump needs kicking out of a helicopter
And it carries on in the same spirit!
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Chips are "Plant-based" no matter how you cook them
Donald Trump needs kicking out of a helicopter
https://youtu.be/jManmjjwnTE
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Yes, Vocalise and the Romances are gorgeous aren’t they? (And obviously the cello sonata)
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
From a time when there was no way to play chords on a piano and everything depended on Arpeggio ,figured Bass and mathematical progression .
Any Fugue is a perpetual striving for extended resolution.
The "Well Tempered Clavier "will investigate each key in such way .
The C minor is my favourite .
Chopin came to elaborate on this in the preludes having the later benefit of polyphony from a piano and thus being able to stretch harmony to the romantic degree.
and he dabbled in Jazz - check out his paganini variations, no. 10
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Chips are "Plant-based" no matter how you cook them
Donald Trump needs kicking out of a helicopter
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
i.e. I have some great lyrics, how do I turn these into a great and interesting melody, then how do I harmonise and then make adjustments to my melody so I have access to more harmonically rich chords, then examples of changing the mood for the chorus. Rick Beato touches on it in some of his song writing videos, but it all assumes you already have a great melody or a great chord sequence in place.
It's like knowing all the rules of Physics and then being told, now design an aeroplane. Where the hell do you start.
Firstly, what mood do you want to create, and can you find a harmonic progression and tune that describes, or emulates, that mood? And/or:
What songs do you know or licks have you been enjoying playing, that sound really cool and would work?
It’s a bit of a Venn diagram, and somewhere in between those two approaches lies something amazing and magical, and maybe even totally unique and original to your voice.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
My approach to guitar playing my whole life has been, how do I improvise over this chord sequence and have learnt theory from that point of view and my fingers just end up doing the talking without any thought process.
Now however I'm interesting in writing music/songs and am having to go at things from a blank piece of paper so to speak.
One thing I was thinking of doing is to take my lyrics and just tap out the natural rhythm on a single note into say guitar pro.
That will give me the timing. Then pick a mode and key and then move the notes up and down the stave until it sounds good and interesting.
The harmonize using standard triads at first, then add extensions/sus chords/inversions, etc, adjusting the notes in the melody if need be. Throw in the odd borrowed Chord, secondary dominant, etc.
I know it seem like a bit of a mathematical approach, but I would say I'm not a natural musician.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.