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If I’m being honest I’m 25years away from actually trying to make original music and 16-17 years away from even playing other peoples music on a stage. I do wonder what’s left
(Glad to hear you have actually tried to make original music and play on stage. I never even got there!)
I don't think it's something I use to define myself to the outside world, my friends know I'm into music and guitars but none of them share those interests and nobody's ever really seen me play a guitar, so it's just a nebulous concept to them.
Yes, it's something I've done, or been interested in, for a very long time. And the same could be said of most of my interests - I haven't changed those interests much as I've got older. I guess in some ways I've never grown up, to be honest. On the other hand I don't feel like I should change just for the sake of it.... I'm not going to start wearing polyester slacks and going on Saga holidays just because I'm old.
I know prices will go up over time, that's just the way it works, but there's going up and there's going up. Most prices I've been bothered to put intothe BoE inflation calculator have come to nowhere near what they're asking now if you only allow for inflation.
guitar and the blug amp1 and a small cab.
Having read @SquireJapan's post though, I think that's what I'd do too. It's probably the only way I'd ever be able to afford a Blackmachine
Amp-wise, I think I'd replace my Katana with a Helix of some description... or possibly a Katana Artist
I like to keep things simple , so ...... an LP Junior , a Tele , and maybe an LP Special , with humbuckers .
and probably a Marshall Bluesbreaker amp.
My keepers are all irreplaceable - ones I have built myself. Starting from scratch would be soul destroying.
I would replace the LTD because it's a really good guitar and only cost me £300.
the G-60, to me, couldn't be replaced. I got it many years ago, for my 18th birthday, and it is bashed up, the frets are really worn, but it has sentimental value.
If I was starting again I'd get a core PRS Single Cut or maybe a Tremonti. And then as contrast I'd have some shreddy thing like a Schecter C1 Apocalypse or a Skervesen. I think two guitars like that would that cover a lot of bases for me.
Frustratingly like a lot of these open ended questions there are so many answers depending on what you want to achieve.
For instance define "work". Do you mean "making it" big time ... as in touring / pro ,
session work (if that even exists!)
or weekend warrior whilst keeping the day job..
or full time locally (if such a scene even exists these days?).
As for original post - it's a question I used to ask myself periodically in the past - but less so now because I've pretty much figured out what I need / "want" to get the job done / keep me happy (and it's not a surprising amount!).
If I had did have a time machine to start again - I'd invariably make mistakes all over again regarding gear / music - just different ones!
I'd stll go with the suggestion to get a telecaster (a good one) though!
I don't know about my Strato-partsa-caster it my Tele or Les Paul. The Les Paul I got because of the individual guitar, I'm not sure I could find another but maybe if there was one with a Bigsby in a cool colour...
Amp wise I'd replace the Deluxe Reverb, even though I have only had it a month or two and not used it live yet - it just seems to cover a lot of ground and it sounds lovely. Not sure if I'd get like for like on my smaller amps.
Pedals. Crickey, I don't know. My Sovtek green Muff and a BF-2 and an old Super Chili Picoso and a couple of analogue delays - in fact, a new purchase for me is the Xvive Echoman which sounds great. I think I'd use the rest of the insurance money to buy a return ticket on a time machine and get a Echorec from the late 60s so it would be reliable.