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View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
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Bloody 'ell, that's very cool! Thank you for the link!
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
I've been laid up with Covid for the last 10 days and have spent quite a bit of time tweaking various tones, but I won't know how good they really sound until I get into our rehearsal space and play them through the PA at volume with the rest of the band. Have loaded them into different "sections" of a couple of "songs" along with my current favourite tones so I can instantly compare/tweak them side by side.
Going to be useful for levelling different presets/scenes too I think
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View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
Yesterday I was playing with subtle chorus to double the acoustic, switching between £1,000 worth of different chorus pedals, and ABing different settings of the same pedal.
Having recently made a new guitar I wanted to remake an IR for it. At short notice I didn’t have access to a decent recording mic. So I turned to YouTube to find a suitable recording. Many were poor, or with artefacts introduced in post-processing. This one turned out well, yielding matches for a Taylor 716 and a Martin D42.
For our current set list I use one preset for all but one of the songs. I’ve got used to working with five scenes: Clean, Edge, Crunch, Lead, Acoustic, and turning on effects as required. I like that simplicity. The set list feature doesn’t add anything that I need. At some point I’ll look at whether it can improve the stage lighting options, or set tempos.
When I started acoustic modelling I did look at Austin Buddy’s patch. It might have changed since, but at the time it wasn’t quite the sound I was after. So I ended up making my own, and now incorporate it as a scene in each live patch.
Now that we’ve got a competent keyboard player and drummer in the band I no longer need to keep things simple in order to hold it together. Two other factors have recently come into play. The Vibroverb is providing the amp sounds I need, and I can propagate them easily across patches. The setlist function introduced in 19.06 means that I don’t have to remember which patch to engage for each song. It opens up an opportunity to get sophisticated. Add a touch of chorus on the bridge of one song. Use a two beat delay on the solo in Maneater, but keep a 500ms delay on other lead sounds. No longer be restricted to fixed drive levels in Edgy and Crunchy scenes.
It’s tempting to go as far as one patch per song, and give each song its own lighting pattern.
Is anybody using one patch per song? How do you find the workload of keeping patches in step?