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It might be interesting to know how and when the American "tic-tac" two-bass style crossed over from country into what you might call pop. Leon Rhodes, Grady Martin and Harold Bradley played damped-pick Danos and Fenders on a huge bunch of records out of Nashville from the late-'50s on. Is that pop, though...? Patsy Cline's Crazy might be one example...
See also Ladi Geisler playing his trademark "knack bass" style with Bert Kaempfert. This is from 1962. Definitely NOT cool. But I suspect highly influential...