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You know what I just had a thought... these rotating $29 sales - are they just trying to get people to piece together Mercury on their own in a pseudo subscription format?
Current price of Mercury $2999 - number of plugins 150+ (I'm not counting them manually to find out how many over 150 it is). IIRC it's been about that price for a while.
Simple maths $3000 / 150 = $20
Compared to Slate's VTM or UAD Studer 800 it just doesn't compare imho.
If you want a good, cheap but awesome sounding tape plugin then check out McDSP's Analog Channel.
It has been around for a long time but I still use it all the time.
It is on sale for $49 at the moment.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
Football is rubbish.
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Am I right in remembering you're a Studio One user - do you ever use the Mix Engine FX?
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I'm enjoying Studio One. Looks like Sonar also has ARA which is pretty fantastic when it comes to completing things before I die of old age.
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If you do a lot of harmony/overdubs then it's a gigantic time (and vocal stamina) saver. We do so many less takes and less time spent editing since getting it, for ultimately the same end result. Not everything needs aligning as sometimes looseness is nice, but when you do want tighter it's very good.
Revoice is superb too, as it can transfer pitch as well as timing, but for just aligning vocalign via ARA is lightning fast.
Anyways, reason I'm here is that Waves API2500 is $29 today - cheapest I've ever seen it. When I get home tonight I'm going to download the demo and see how much I like and/ or need it. Thing is I only got IK's Precision Bus Compressor a few weeks ago. Do I need another? (don't answer that...)
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I'll tag you next time then @Cirrus
I have the API comp - it's nice. If you like it when you demo it send me a message.
That's really cool. I do think natural tight sounds awesome but there's a certain aesthetic that's extremely hard to get with regular tracking tightness, especially with lining up plosives and esses. If you want it to sound like a big extension of the same voice, rather than a choir/chorus then vocalign is really cool. So with the way I use it - any gang vocal type stuff or stuff that's supposed to sound big, won't use it, too tight can sound smaller. Stuff that's supposed to be very tight, it honestly takes about 10 seconds to use it via ARA and it'll turn a good take into a perfectly aligned take if you want, there are diffferent algos for how tight you use it
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I actually never double mains - if you did Revoice would be an awesome way to go. That can transfer pitch as well as timing, again on a sliding scale (with much more fine control over this than vocalign). There's a demo of it, it's not cheap, but they do 30% off sales every now and then or you can rent to own via their website I think (works out more expensive, but more flexible).
I almost always double harmonies though, and fairly often have two harmonies doubled, so that's 5 vocals that need to be to a certain level of tightness. The lower tightness options sound pretty natural but modern, if that makes any sense at all. And you can pretty much hard align it if you want, but if it wasn't fairly tight to begin with it might not survive it so well...
You can't polish a turd unfortunately, no amount of plugins will save my boring tone. I thought your voice sounded pretty good on the song you posted a while back
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Well now I too believe it works.
I picked up Console E in the recent sale, and must say I think it sounds fantastic. Extra interesting is being able to have a stereo channel be made up of two different channels, or to be able to chose to have them match... that's quite a nice touch.
A public beta of the plugin is due on Monday.
https://www.facebook.com/brainworx/videos/2263590586999523/