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http://www.ovnilab.com/
He also has a recommendation list in there too, might be worth a look:
http://www.ovnilab.com/reviews/toppicks.shtml
My head said brake, but my heart cried never.
http://www.ovnilab.com/
Just to note: He's a bass player and reviews are focussed around suitability for bass.
My head said brake, but my heart cried never.
Still learning...
No, I'm not joking.
Bandcamp
Spotify, Apple et al
Others have mentioned the Wampler Ego and for what you want to achieve it would be a very good choice. The blend control makes all the difference. You can of course also use it like a standard compressor for that country guitar sound. Good for slide playing too if you want to stay fairly clean.
Suitable for blues? Well, the definition of blues seems to cover a lot of territory so let your own ears be the judge
Remember, it's easier to criticise than create!
It's odd - I like the sound of compression when it's used by others on recordings, and I can even use it myself for recording, but I absolutely can't stand it for live playing. It totally robs the dynamics and the presence in the mix, unless you turn the level up far enough and then it suddenly becomes too loud and insensitive. Yes, I know that reducing dynamics is what they're meant to do .
I do still own a compressor (Boss CS-2) but I never use it. Last time I did, I ended up constantly turning the compression down until it was basically off, and even then it still sounded better when I did actually turn it off. And yet I can't quite bring myself to get rid of it because I plug it in at home and like the sound of it...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Bandcamp
Spotify, Apple et al