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It’s all nonsense of course, and you need to judge every guitar on its own merits, assuming that particular model & year’s spec is to your taste.
Don't buy a used Les Paul for £1200 if you think there is some prospect of increasing your budget to £1600 sometime soon. (I realise that is easy for me to say)
I don't have any problem agreeing that Gibson QC is variable, even as a Gibson fan boy.
But the desirability is not really about finish blemishes or variances in neck angle. It is about playing. The Historic Guitars that GIbson have been making for 24 years are really nice instruments. They may not be worth £4k (new) but a used R7 bought in a private sale will be worth every penny.
If you like the wide neck and you can live with the other stuff or have it replaced, then you can get a bargain. Just don't expect to sell it easily.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I've never owned a Gibson, I can't recall ever playing one to be honest, but if they or so hit and miss on build quality why are they so sought after and expensive?
It's not often you see one going cheap. If ever.
Brand, they look incredible and are widely used by a lot of our favourite artists. It's a classic right up there with a Strat or Tele.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
Add about a million internet know-it-alls to the equation and all of a sudden they're rubbish guitars at outrageous prices, even though half the world's favourite records are made using them.
The truth is that Gibson have been making a tiny number of dodgy guitars and a huge number of fantastic guitars with occasional finish imperfections for well over a century, and your perception of whether that matters will largely depend on whether you're a musician or a collector.
Understood. It's just that I've always been a Fender player but lately I keep looking at P90 loaded LP gold tops. It is only a matter of time.
I have a Les Paul and a Custom 24 and there's not a question in my mind which is the better-made guitar, which of course has the advantage of having more modern build. I put up with the lesser quality (which is still superb by most standards) of the Les Paul because it's the guitar I dreamt about when I was a kid and it looks incredible, and primarily it sounds like nothing else I own, amazing.
I get where you're coming from @p90fool. I guess the question is "can I get a better-made guitar for my money?", and the answer, in my mind, is "yes" - perhaps more PC would be to say, "yes, maybe but it's down to personal taste".
But if someone had not experienced the quality of better made, more modern guitars, then they'll probably never have an issue with any of the things that bug me about my Les Paul.
Sorry, hope that doesn't across too harshly.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
But you still say yours sounds like nothing else you own, and I guess everyone has their own personal tipping point about when non-critical blemishes overcome the positive playing experience.
To be fair, I may sometimes come across as Gibson's biggest defender, but the truth is that I really just don't care very much about cosmetic perfection because I'm going to gig the hell out of it anyway, so my own tipping point is heavily biased towards sound over looks.
http://i66.tinypic.com/29eizro.jpg
I guess I'm less concerned about cosmetics, like you, but some of the fundamental build stuff bothers me...but as you say, not enough to warrant not having one. I put up with those minor things in order to have one of the guitars of my dreams :-)
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
I'm well out of the loop in this respect, I haven't set foot in a guitar shop for maybe 15 years but I get the impression that the ascendancy of Paul Reed Smith guitars, presumably at the expense of Gibson and Fender, is much to do with their attention to quality control, so if anything I would have thought that modern Gibsons/Fenders would be better as the bar is being raised.
I do recall reading guitar reviews 20-30 years ago and being quite shocked at the faults the reviewer would find, things that would be totally unacceptable today.
Comparing a PRS CU24 to a typical Les Paul will reveal (by and large) that the PRS is ‘perfect’ and that the Gibson has various minor, cosmetic flaws.
The issue is surely that the two guitars are not interchangeable - they sound and feel very different from each other.
If you want a Les Paul, you probably need to buy a Les Paul....
I'm gonna try a 594 today though and will report back on how close it gets, my assumption is, not close enough.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922