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Funnily enough though two pedals I hardly use
eg. the wah is only offering the fuzz a bracketed slice of tonal content which, because of the nature of that particular fuzz circuit, it can't do much with.
for a full fuzz tone you need a full tonal range in, once you filter that range (wah is a variable filter) you are limiting raw materials the fuzz has to work with. harmonics and overtones stripped out. octave fuzzes work well after wahs as they add new info rather than only distorting input.
it may also be that your wah has a funny range. if has an option to vary range, or an internal trimmer (mark starting point before tweaking so you can easily get it back), that might be another way to approach resolving this.
https://i.pinimg.com/236x/63/05/51/630551a3dd870876752959d7983e7783--jimi-hendrix-experience-guitar-players.jpg
One problem is that with modern cables, that can sound very shrill because there is much less capacitance to suppress the high frequencies - or it can even oscillate. FoxRox make a buffer to fit inside the wah (between the circuit and the switch, so it's bypassed when the pedal is) which fixes this.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Effects for Me & my Monkey YouTube channel Facebook Fretboard's "resident pedal supremo" - mgaw
Noise terrorism: wah after fuzz/dirt
The former is better for classic rock/blues etc
The latter is better for shoegaze/ambient/'grunge'/noise rock etc
http://www.thefretboard.co.uk/discussion/57632/
Great fuzz pedal though!
Also, never underestimate the importance of a pushed amp at the end of the chain to smooth out weird frequency/volume spikes.