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Comments
It retains all the original problems but makes them all worse. You now hit your hand on the volume knob instead of the switch, and you can't quickly flip the switch from neck to bridge which is even worse than the other way round. And it looks stupid.
I'm not sure this is helping cure my desire to own another Telecaster, but it's a start .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
But I would like to own a really good but somewhat battered-looking SG, which coincidentally is probably the most popular choice for the kind of stoner/doom stuff I mostly listen to.
Never managed to find an SG I've been really happy with, though, although I have owned quite a few over the years.
I knew someone was bound to suggest that. It's still not a solution in my eyes either, as there's still one knob right next to one of the positions on the switch.
Telecasters are one of the guitar designs where I feel its crucial to have access to both volume and tone controls. On most of my humbucker guitars I don't use my tone pot at all, on some it's actually disconnected... but on my Tele I find there's a lot of mileage in the controls.
I've had two in the past- a Blacktop (which I REALLY regret selling) and a MIM standard. I parted with both for the same reason- that bloody (literally in my case) volume knob by the bridge!
As soon as I started playing "hard" I'd inevitably crack my pinky off the volume knob and by the end of a session my hand would be bleeding... I KNOW it's my own poor technique that's to blame and that I could/should have rewired for a master vol & tone.
In the days before the internet I had one guitar and one amp and was content. Something I suspect was true of quite a number of us.
Nowadays I can google all sorts of stuff and can always find something else that I ‘need’. And that’s not only guitars - having bought my ‘necessary’ guitar(s) I now browse the internet for reviews etc only to learn that things could be even better if only I fitted different pickups, bridges, machines, etc. Back in the dark days before decimal coinage I didn’t worry about modding my one guitar (I probably didn’t even know it was a possibility). And yet... these days, when modern manufacturing methods and QC ensure that even a humble Affinity Tele is better put together than ever before, I feel the need to ‘improve’ my guitars with all manner of after-market bits.
These days we’ve become collectors, rather than owners, of guitars
• Youtube - https://www.youtube.com/@Goldeneraguitars
In in terms of guitars, I find the project dictates the guitar. When I've bought things based on a famous player, often it's not worked out. I always wanted a PRS CE24 because of Alex Lifeson, when I finally got one. It felt underwhelming and I sold it on within a year.
I can adjust my playing but I don’t see a point when I can just make it more comfortable.