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Comments
https://www.thomann.de/gb/marcus_miller_m2_whp.htm
Andertons say the Sire basses come direct from the factory to them which helps keep costs down and they are their best selling basses.
If I was designing a pedal for bass I’d probably want a P and if possible also a J bass.
If it’s a distortion/overdrive the type of bass makes a big difference, but overall a P bass is probably the most popular bass, and J close to that.
I probably would not buy a Stingray as your only bass if you’re aiming at the Fender bass type of market with a distortion, they sound and react completely differently. Though pedals that work for a Jazz can often work well with a Stingray.
IMO it’s not like guitar where you can get away with humbuckers broadly sounding like each other for example. I have 4 basses and there’s very little overlap at all, though the same pedal can work for many of them if the settings have enough range in them.
I'd opt for a P bass. I was and always will be a bassist first and foremost. Most of my basses are Musicman (Musicmen?!) but for a really good all rounder, I would opt for a nice second hand Precision bass.
Whilst it might not be in the budget, a 50s Roadworn Fender P would be great.
Exciting to know you are designing bass pedals! From my knowledge of bass, it seems the popular bass pedals tend to be pre-amp/DI/overdrive/fuzz units.
If this is about pedals for bass then are active electronics a consideration? To what extent would a pedal react differently to a bass fitted with this?
As 5 ( or more ) strings are more popular now when voicing a pedal do you need to think about how it works down to low B ?
5 string it is then... thanks.
I have a beautiful 1980 Wal Custom, but my Squier P-Bass does more gigs if I'm honest.