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Comments
One week of his time is worth a grand, plus all the employer overheads that go into employing him. That make him cost about £1500/week, give or take.
Imagine he takes a couple of weeks to build and finish a guitar, then add in all the materials he used.
That's a £4k guitar right there, without any profit for the business.
A more reasonable and likely example would simply be that he's spent a week on it instead of two weeks, and it's still a £4k guitar but now the business has made a profit.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
There's not a great return for all the work put in but someone just loves to build guitars, you also get a personal experience, i recently had someone come over to try his neck out and was to his liking so it's better for him
(formerly customkits)
There really is a significant difference between the Fender or Gibson USA production guitars and the Custom Shop offerings. In fact I'd say the upper end of Fender Mexico gives Fender USA a closer run for its money than Fender USA gives Fender Custom Shop.
But it's true, the price jumps within the ranges are significant. Is it worth it? It depends what you can afford (or are happy to pay) but more importantly it depends which guitar you like best. Nothing's right or wrong here.
Small scale luthiers have higher overheads so you pay for that, whether the finished object you hold in your hand is any better or not. Hopefully it will play well and sound good because of the time spent on it, but it'll still cost you even if it's a dead old lump.
In the case of Gibson and Fender "Custom" shops it mainly marketing and spec differences.
An R9 has a different spec to a Standard, but is not "better" unless you have to have those features.
People who spend the money will tell you there's a night and day difference between their crappy old 2.5k guitar and their sublime new 4k guitar - it's best not to get into a debate with these people.
If you can’t tell the difference, I envy you as I’d rather buy cheaper guitars and save the money
FWIW the MIM FSR got moved on, the 52 is still here. Tone is more to my liking, electronics are better...AV 52 looks a lot more pleasing in colour/fittings/aesthetics...feel of the neck and radius is preferred.
Obviously some of those things could be remedied on a cheaper guitar to make it what you want, or you may luck out and find what works for you offered at a good price. A Baja Tele ticks some of the playability and tone above for example.
Not sure this is entirely true. You can find very good factory ones, and not so good CS ones.
I've had 3 CS Gibsons, and I sold the first one after going into a shop and using a Les Paul Traditional to try a pedal in a shop when I was on holiday in the States. That Traditional was better than the CS guitar I had at the time. I came home, put the CS Les Paul up for sale, and went to Guitar Village because they had the usual end of year Gibson blowout, and their Les Paul Traditionals were £500 off. I tried 5 or 6 Traditionals, and none of them were that great - nowhere near as good as the one I had tried in the US. I then tried a second hand R8, and it utterly blew them all away.
You can find really good factory ones, but they are fewer and further between. You might have to try 10 guitars to find a really good one, where a much higher proportion of custom shop ones are really good. That Les Paul Traditional that I tried in the US was definitely better than the Custom Shop reissue I had at the time.
Likewise with Fender, there is a lot of variation between guitars. I have a really great AVRI Strat. I wasn't even looking to buy a guitar when I bought it. I was in a shop to try out an amp and they got this one down off the wall to try the amp with. I was blown away by how good the guitar was, and ended up going back a week or two later and buying the guitar. After that, if I was in a shop to try an amp, I always tried to use a Strat of the same model as mine. I gave up after a while, as I never found one that was anywhere close. Again, you can find great guitars from the factory production - you just have to play more of them to find them.
Generally the Custom shop will cherry pick what they think is the best wood, so there is a much higher chance of a great guitar, but you can find great ones that are not Custom Shop. I've owned 4 Teles, including a Custom Shop one. I don't miss the CS guitar since I've sold it. I also had a Baja that I sold. If you gave me the choice of one of them back, I'd probably go for the Baja. I'd prefer a nice nitro finish Baja, but that was a really good guitar.
Edit: regarding your other point, I agree on the quality of the higher end Mexican Fenders. If I had to buy sight unseen, I'd rather have a Classic Series than an American Professional.
By contrast, a MacBook Pro costs as much as the R8s were last year, and will only last a few years.
There is no evidence to suggest that Gibson Custom Shop wood is "better" other than perhaps being chosen for maximum stripy-ness, and when a Top Luthier performs simple tasks which are done hundreds of times a day next door on the production line you are paying his wages.
I agree that an R9 has generally had more time lavished on it than a Standard, but to what end? What if you WANT coil taps, pickups with a bit of grunt and fat frets?
The difference in price is to do with similarity of spec to a 1959 guitar, and that has WAY more to do with market placement than quality of materials.