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Unless it was about Clapton in East London. And then it'd be not many of us, and it'd be in Off Topic.
I think a comparison with novelists is quite illuminating. Harper Lee and J D Salinger both wrote only one novel. Are they great writers? In my opinion yes
.James Joyce is considered one of the greatest writers in the English language. How many people have read him? Mostly English lit undergraduates.
For me it wouldn't have mattered if Clapton had retired after the Beano album, he would still be a great guitarist and I don't and can't expect him to be doing the same 20, 30 or 50 years later.
(formerly customkits)
I was introduced to Robert Johnson in 1964, aged 12, but it was only through seeing EC play Crossroads that I thought I might like to have a go at that. I imagine many of the members here will have had similar lightbulb moments.
The best thing I can say about him is that him being a noisy racist dickhead helped influence Rock Against Racism.
Guitar would be different, but the likes of Elvis, Buddy Holly, Hank Marvin, The Beatles, The Rolling Stones, The Kinks, and The Who were all around well before the Beano album came out and "changed everything" as so many would have it.
I'm in no doubt that the Beano record (and Clapton's output over the following decade or so) was hugely influential, but to argue that without him the guitar as an instrument wouldn't be popular is genuinely laughable (sorry!). Clapton is touted as "the first guy to get a Marshall and crank it", but even if that's true there are countless examples of distortion in some form or other on record well before the Beano's release - pretty much all of Revolver, You Really Got Me, My Generation, Satisfaction, etc etc.
Clapton helped move the whole thing forward a little but to suggest he's responsible for the success of an entire genre completely is just daft.
Not only was his alcoholism and his drunken state that night far worse than I’d realised, but the impression I got from the interview is that he was so ashamed and embarrassed by what he did that he didn’t think he could talk about it publicly without being seen as insincere. That he had personally apologised to the black musicians who were his friends and who continued working with him made me think that’s the truth, rather than just an excuse.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
For me they’re huge moments that drove the course/trajectory of popular guitar and guitar-based music.
His influence on other guitarists from Hendrix onwards can’t be understated. Many of the greats around and after him cite him as a major inspiration.
Sure you can trace his own roots to the 3 kings and Johnson but he changed things with the Beano album no doubt about it.
I'm not saying Clapton wasn't a big part of that - that would be silly and just as blinkered. But there were shitloads of other guys doing things with guitars and amps and fuzzboxes, to the point that I cannot fathom that guitar music as a concept would have been significantly less popular had he not been there at the time. God knows I'd be fine in a world without white-man-blues from Bonamassa et al, and maybe that would have been the result, but we'd still have had a huge number of noisy rockbands.
Take out Elvis, Buddy Holly, Chuck Berry and The Beatles and thing would have been *vastly* more different.
For the record I'm not a fan but I'm also not a total moron either
Clapton always passed me by.
I was too young for the Beano/Cream/etc etc music and was into other stuff when he had his other pahase during the 90's.
It wasn't until "life in 12 bars" came on iplayer that I started to learn something about him.
Not a great fan, he's obviously got some skills and talent but apart from the odd toe dipping excursion I can't see me becoming a fan boy any time soon.