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Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
But for me, there is nothing that comes close to Clapton in full flow...the live Fillmore Derek and Dominoes album is joyful. To my ears.
No, it's not technically groundbreaking, neither are the songs that good. But it's honest and from the heart, not the head, and affects me in a way that nothing else comes close to. Subjective indeed.
In fact, I actively dislike most of his stuff. But, there's no doubt that he was an innovative and interesting player in his early prime. The fact that I don't really like him doesn't take away from his Mayall and Cream stuff, even if I don't particularly like either (much).
I think, of his peers, Beck is a _much_ more interesting and constantly evolving player, and I liked 60s Peter Green more than I liked 60s Clapton. But there's no denying Clapton's influence, in the early years.
https://youtu.be/_N0gnDE6OxY
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
I try not to conflate 'do I like it' with 'are they any good'.
All of the musicians mentioned here are great players.
There are loads of great musicians who I don't listen to- there are probably more that I don't listen to than the ones I do listen to, and I listen to a lot of music.
Pat Metheny is a good example- his genius is undeniable but very little of what he does is for me.
In this instances I operate from a position of 'it's not them, its me' and file it away to go back to at a later date.
Case in point- I never used to get Steely Dan.
Now they are one of my favourite bands.
Maybe Metheny is in my future?
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I think both their solos sound pretty pedestrian there to be honest.
I can think of a few more though:
Jeff Beck
John Scofield
Django Reinhardt
Wes Montgomery
I think a point to make is, the electric guitar as an instrument has evolved so fast in such a short space of time, and the time an place of the guitarist in question is extremely relevant.
Listen to a solo on a 'barely' electric guitar in 1946 (the year Clapton was born) and one in 1986. Hardly sounds like the same instrument. Yet each learned from what came before. Case in point: Eddie Van Halen's main inspiration? Eric Clapton.
'Is' (and I use present tense despite the fact that really we should be judging them in their past) Charlie Christian shit, because Pat Metheny outplays him 'today?'. Blows in from God knows where, into Benny Goodman's band playing like no-one has heard before. Inspires Charlie Parker, Miles Davis and the rest of what fuels the Bebop evolution. Then dies 3 years later.
Not sure if Metheny has done the same for American music.
Anyway the interesting question is, using the same strict criteria that we are judging Clapton under, who would survive the cut?
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
OK, so the instrument developed quickly, but you could argue that the synth developed at a much more rapid pace and invited a much higher degree of innovation without the same revered-labelling being applied to synth players.
I actually think the “influence” thing has, if anything, held back development of how the guitar could be used in music, and maybe, just maybe, it would be more influential today without the constant stream of historical navel gazing at bygone blooze greats....
P.S. What I love best about this thread is that it reminds of the arguments I used to have with guitarist friends when we were 14/15. I met one of my now closest friends over an argument of Les Claypool v Jaco Pastorious.