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Comments
I think people use it in a way that makes it sound too 80’s - strumming and arpeggiated parts.
But used on funky chops in a break it can sound great. But then you’re really just going to 70’s cliche instead. But 70’s chorus is cooler.
If I had to pick only one modulation effect it would be a phaser though.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Slightly OT, the CE2 made way for a Crowther Hot Cake placed after the Phase 100, to give the option of phase shifter into overdrive - mmm....
I love chorus so might be biased...
Ears are strange things - used to love chorus until quite recently when it started to annoy me - it's sickly sweet trilling modulation became positively unpleasant to my shell-likes.
I prefer phase or subtly dialled in flange. Exactly like @Fishboy7 above, when I got the Helix Stomp and started trying to dial in modulation sounds to add a bit of subtle movement to clean or driven sounds, what I ended up with, after a lot of experimentation, was subtle flanging.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein