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Yep, just watch the volume. That's exactly how I ran the Barefaced GX12 when I was testing it.
Has saved our butts live too. I like to run a cab either side of stage. But when the bassist amp went up in smoke, I quickly set him a parralel path with a amp block. Sent my amp sim to the left channel, and his to the right (plus a DI out to foh).
Drove a 6x10 more than well enough for stage volume .
a cool feature is you just pop the lid and flick a switch for US voltage
there’s not a lot in it, I don’t need to adjust the volume between the 2 cabs to any great degree, it’s more about taking advantage of the 3 band eq on the PS170 to tailor the sound for each cab, which is really useful for can share gigs, plus not having to worry about cab ohms, just plug and play.
And I agree with Ben that the EQ on the PS170 is incredibly useful.
They are a lot of coin though..
People do rave about the SD Powerstage amps...it makes me wonder what they do to the sound? I mean, they just make a pre-amp louder right? How can they be anything other than boring? My instinct is to buy the cheapest make-louder-thingy.
I've been using a Magnum 44 and that sounds good.
1 - They've got headroom for days, so no attenuation of the low end.
2 - They're incredibly lightweight and small, to the point where they'll fit in a large jacket pocket.
3 - The active EQ is both phenomenally powerful and really useful in a gig situation for adjusting to the stage/room.
No other power amp really does all three things as well.
when you have a modeller that's making the tone of both a preamp and power amp stage of an amp, you want the real power amp to be absolutely clean, transparent..
my GT1000 just makes the AxeFX loud and then stuffs it through a pair of real 4x12 cabs..
alternatively, I could if I wished us it to drive passive FRFR speakers and have the AxeFX do the cab modelling too
[which I personally prefer not to do... just a taste thing]..
the additional thing with the Matrix GT1000 is that it's lightweight and really powerful..
having a ton of power means you have all the volume you need with plenty of headroom..
and.... apparently [according to the designer] the GT1000 has 'sag' designed into it [the GT800 does not]..
so as you crank it harder, it'll sag like a real amp [even though the tone is unaffected]..
I can't say I've ever noticed it.. maybe I don't drive it hard enough for that effect to be noticeable..
and I'm not exactly quiet on stage.. lol
maybe the cheapest make louder thingy colours the sound more and has less headroom than the expensive one
in the olden days of rack kit, you'd have a preamp / multi-fx unit like a 2120 or JMP-1
those do not model power amps so you'd want to stuff it into a power amp that has a 'voice' like a big ol' valve jobby
think Marshall EL34 100/100 or Mesa Strategy sort of thing..
I used to run my 2120 into a Marshall 8008 with ValveState selected [rather than running the 'linear' setting: which is clean / flat and more suited to something like the AxeFX that also models power amp tone]
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