Hi all,
Could do with a bit of advice. I'm toying with the idea of having a 25" scale neck made for a Strat type guitar. I've got small hands and I want a neck that's similar to a PRS I have made. The current neck is a bit chunky for my smaller digits and the PRS neck seems perfect.
Excuse my ignorance but is it then a matter of just adjusting the intonation to suit i.e. the bridge can stay where it is etc? Do the saddles move backwards or forwards. Just want to be sure that I'm not going to run into problems around bridge position or running out of saddle adjustment etc.
Appreciate any insights.
Si
Comments
I have one from USACG on my Cabronita Tele and it works very well.
Ive got a Squier Strat that is 24inch scale, they obviously used a conversion neck as it works on a 25.5inch Strat
In the spirit of edification what's the difference between a normal and conversion neck?
Si
Any other neck (e.g a Jaguar, which is 24" scale) may have been built to some other dimensions that may have a different distance between neck pocket and bridge, so it's not guaranteed that it will work.
If you compared two twenty-one fret Stratocaster necks of 25.5" and 24.0" scale, respectively, the latter would require a fingerboard extension to accommodate the highest fret. (This might interfere with dropping in the pickguard and electronics assembly.)
Why not try a Strat neck with a slimmer profle first?
Fender Strat to Jaguar or Mustang, I do notice but it takes very little time to acclimatise to the ride and get on with playing.
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The only directly interchangeable Fender necks are the 24”-scale Jaguar, Mustang, Duo-Sonic II etc, and the 22.5” - not 25.5” - Duo-Sonic, Musicmaster etc.
As you say, the difference between the 24” and 25.5” scales is the fret at the *nut* end, so the distance from the neck pocket to the bridge is different and they are not compatible.
I have small hands with a very poor reach and I really don’t notice the difference - I’ve used both a Strat and a Jaguar as my main gigging guitars and never been aware of having to adjust to them.
I also play bass, so maybe I’m just used to moving my hand instead of stretching. I’m actually far more sensitive to the neck profile and the position relative to the body than I am to the scale length.
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