Learning Scales and Modes - seperately or all based off major

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  • vizviz Frets: 10697
    GuyBoden said:

    In the last 10+ years or so, I've stopped thinking of modes being related to the Major, I think of them as independent scales, but it took a while, so you can't rush these things.

    For example, Dorian, I don't think of it as a Major scale with 1 2 b3 4 5 6 b7. I think 1 2 3 4 5 6 7 of the Dorian scale, that's how I see them and how I write them.

    I see the Major scale as an Ionian scale, it's just another scale/mode.
    Agreed 100%, though as well as seeing Dorian as a scale isolated from any other construct, I also see it as a natural minor with raised 6th, because I've been brought up on natural minor (and harmonic and melodic). 

    I certainly don't see it as a major with a lowered 3rd and 7th!

    Roland said: Scales are primarily a tool for categorising knowledge, not a rule for what can or cannot be played.
    Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
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  • GrunfeldGrunfeld Frets: 4038
    This 5 minute video is a really good explanation of modes.
    It kind of makes @GuyBoden 's point I think.


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  • ClarkyClarky Frets: 3261
    viz said:
    I usually do it by intervals, all major modes have the major 3rd and 7th. Minors have the flattened 3rd's and 7th's. 

    Apart from Mixolydian which has a major 3rd but a minor 7th


    i’d do it in this order:

    C major penta and C minor penta
    C major (ionian) scale
    C minor (aeolian) scale

    then the other 2 major modes - C lydian and C mixolydian

    then the other 2 minor modes - C dorian and C Phrygian

    Then C melodic minor (if you’re a jazzer or classical) and C harmonic minor and C phrygian dominant. 

    gets a wiz from me matey...
    play every note as if it were your first
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