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A few more poor quality Live releases,
Jimi Hendrix - Live At The Scene Club, been released many times, but it's a drunken after-hours jam with a few guests (Jim Morrison, Johnny Winter). Badly recorded, poor performances all round. It's a poor quality bootleg but somehow it managed to get a load of semi-official CD releases.
Deep Purple - Last Concert In Japan, Tommy Bolin took a bad hit of Heroin a few days before this show was taped. His parts were pretty much mixed out of the original LP release.
Beatles - Live At The Star Club, An interesting curio, but easy to see why all of the Beatles tried to block its release. Recorded on an early 60s domestic reel to reel tape machine with a single mic, the first rock bootleg?
The Who - Who's Last?, not especially bad, but certainly lacking the impact of their 70s peak without Keith on drums. The band were close to going on a 6 year hiatus at this point.
Honourable mention for a Free bootleg recording I have from 1972. Paul Kossoff was in the full effects of his heroin habit by this time and can barely string two notes together at any point of the show. Sad really, and a cautionary example of the pitfalls of drug addiction
I’m quite a fan of his, but I gave this one away. It’s just not good, until you get to the interminable Please Don’t Pass Me By (A Disgrace)... it is, and I did. Maybe it would have come over better in person.
I couldn’t stand Derek & The Dominos Live At The Fillmore either... endless tedious self-indulgent jamming masquerading as a performance.
Almost forgot... Evanescence - Anywhere But Home. I think Amy Lee’s monitor was broken for the entire gig. That’s the usual excuse, isn’t it? Amazingly, it was released as an official live album.
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Razorlight live at Brixton academy
Babyshambles - oh what a lovely tour
Jet (of "are you gonna be my girl" fame) - family style live DVD
I did think why on earth did these seem like a good idea but I figured no charity shop would want them and as such would just go to landfill
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Most of the ones I do really like, I either bought those live albums before I was familiar with the studio versions, or they're the best representation of a band which was often relatively lacklustre in the studio (e.g. Humble Pie's Performance, UFO's Strangers in the Night or Thin Lizzy's Live and Dangerous - studio-tweaked or not).
So yeah, to answer your question, those ones.
Every band on it sounds awful. Would have been better if they had recorded it with an iphone in the audience behind a fat guy wearing a rustling poncho in the rain.
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Live After Death is great...but Bruce's tired vocals from so much touring of Powerslave lets it down a bit.