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Although the whole point of the Vibro-Champ is its feature set for home use...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Just because they are both "Fender Champs" doesn't mean they are remotely similar, and so the difference in construction is irrelevant if you want one, or the other - if you want the 50s blues/rock'n'roll overdriven tone of the '57 then you wouldn't buy the Vibro-Champ just because it's cheaper either!
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Having read many of you’re posts (admittedly still a tiny fraction) I respect you’re expertise in amp construction and how they work. But you can be a bit contrary sometimes! I appreciate you’re utilitarian views and understand you’d probably prefer playing you’re Aria through a Peavey amp anyway, which is fine.
Presently, the only way of trying both side to side is ordering both online with the intention of sending one back. If a consumer is simply looking for nice Fender tube tone at home they may well be equally happy with either of these amps. I’m also recalling you’re previous opinions on guitars often sounding indistinguishable as I type that. In this case, having the handwired amp may appeal. It would to me.
FWIW I returned a 64 handwired Deluxe Reverb as I wasn’t keen on the tone. I’ve kept a pre-owned 65 DRRI at a third of the price as I prefer it. But all else being completely equal I’d prefer my 65 to be handwired!
The whole point of the Vibro-Champ is its feature set - it's clearly intended to give the tone, reverb and tremolo of a larger BF/SF Fender amp in a home-friendly format. If that's what you want, then the '57 Champ is *not* what you want - it has no reverb or tremolo, and a very different tone - it's also probably noticeably louder, even though the VC has a 10" speaker. If you were to base your decision on either price or construction rather than features or tone then you'd buy the wrong amp - so they're not comparable or competing with each other... it's a bit pointless to say that for another £250 you could have a completely different amp.
I can also understand why they would choose digital reverb for the VC - even ignoring cost, which is probably the bigger reason - because noise from switch-mode power supplies (which modern houses are full of) being picked up by the tank in spring reverbs is now a common issue for home players, so digital is actually *better*. The only oddity is that they've chosen a hall rather than spring emulation.
No, I haven't played the new Vibro-Champ. But I have owned two originals - an early-70s one and an '81 'return to Blackface' - and a '59 5F1 tweed Champ. They all had a nice clean sound at home volume... and that is as far as they were similar. The 5F1 was extremely loud, raspy and 'trumpety' when turned up - actually giggable unmic'ed in a small bar - the Vibro-Champs were far more polite, deeper and clearer at low volume, but went very farty when pushed hard (the '81 a bit less so) - and that's even without reverb and with an 8" speaker.
To be honest, if buyers are really basing their choice of amps on the sort of criteria you think they are, it's no wonder there is so much turnover in the boutique amp market .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
If I was in the market for a 5watt Fender tube amp to play at low/ home volumes (assuming I like the way they both sound and I’m not fussed about digital reverb) I’d be tempted to pay £250 more for the US made handwired option.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I’m talking here about small wattage and low volumes for home noodling within the context of a home based, amateur hobby. In this context many of us derive much of the tone from pedals anyway (I appreciate that according to the laws of physics there might be a better circuit choice for that too).
Shocker, I also prefer the aesthetics of the tweed, which might also creep into my decision making. As I said, at present within the confines of lockdown and buying online I find the handwired tweed option more appealing for an extra £250.
Regarding the appeal of the '57 versus the new Vibro-Champ, I might not be representative but I'm thinking of buying the Vibro as an alternative to my '57 for those times when I want inbuilt tremolo, a larger speaker and a tone knob. I don't view them as being the same thing in a different cabinet (though admittedly I've not heard the Vibro yet – other than the sound clips released on Instagram).
However he’s also using a Dude overdrive in those clips, so be prepared to add on an extra £200 to sound like that.
As with all amp demos, I’d much prefer to hear it plugged straight in.
Unless these turn out to be a turkeys, and even with the European price, I think they will fly. I wonder if the footswitch will be included in the package ?