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Comments
1. What acoustic treatment do you have in your room?
2. Does your voice normally have a sibilance issue? Does it occur with other microphones?
One thing to try is to smooth harsh Ss out so that they are half way to a Z sound.
I have quite a strong lisp which is often very pronounced when I record my spoken voice.
With practice I can reduce the sibilance a lot by doing what Whistler suggests. I've only been doing this for a while and it's quite an effort. I think over time it will become more natural.
If it's just the one word that you're having difficulty with then perhaps it will be a reasonably fast fix.
If it is the normal field recorder one then experiment with the angle you use it has, it's probably very sensitive to anything close up.
1. Acoustic "treatment" is limited to a duvet hung over the cupboard behind the microphone.
2. I only became aware of the sibilance when my wife (ex-BBC radio broadcaster, so she knows about this) pointed it out on playback of the test recording. When I did subsequent versions I became conscious of it but it's the first time I've had to be aware of it.
I guess if it's inherent to my natural speech there's little that can be done?
@relic245 It's in a number of words; given time I may be able to improve but not by my deadline.
drofluf, my wife has a sibilance at 3,750Hz. If I can get a recording of you singing I would be happy to help try to locate it and work out how to minimise it. I will send you a PM.
Then you'll want a de-esser plugin, or just automate an EQ manually for the worst bits.
- use a narrow q 1 band eq boosted 10db and sweep around to find your 'S' frequency, then apply a mild cut at that frequency on those words by automating on/off or use a de-esser to find it.
-pull your lower jaw back and raise your tongue when you sing esses, this is how pro singers do it.