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An on goes the first coat:
Mrs Tannin wants to know if it comes with the nice balloon.
My YouTube Channel
My YouTube Channel
My YouTube Channel
I'm not sure exactly why he chose to do that. Possibly it's because that's the way the Thunderhawk does it and he feels that the resulting high bridge and saddle is part of the magic of the sound. I do remember that he borrowed the Thunderhawk back at one stage and had a good think about it, so clearly there is some method there.
He did comment that it made that point (the headstock join) the weakest part of the guitar, but then that always is the weak spot and there is still plenty of wood there on this one.
The headstock veneer is Paul's own idea. I wanted a simple combination-of-timbers design along the lines of a Cole Clark or Maton WA May headstock, but left it to Paul to choose the timbers and do it in his own way. (My motto is never tell the chef how to cook a chicken! Just tell him you like chicken and let him go for it.)
His choice - made while I was away in the UK recently - was a surprise to me. I was expecting the dark Tiger Myrtle (matching the bridge and fingerboard) and Huon Pine but now that the neck is Huon Pine (instead of Celery-top) he decided to use Musk instead. It's quite something!
http://www.distinctivetimbers.com.au/products/musk/tasmanian_musk.htm
It looks great, although I may have to review my position on being past GAS now...
My YouTube Channel
Thanks for sharing; a lot of time and effort has gone into it - much appreciated.
Just odds and ends to finish off. I suppose I'd best start scratching around for some money to pay for it with now. (That's the trouble with such a slow build process - for ages it seems as though it won't be ready practically forever and one tends to fritter cash away on other things in the meantime).
You must be like a kid at Christmas waiting to pick that up.
And yes, as someone above mentioned, it's been great to see the build stages. It feels like we've all been involved!