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Glad I never got into the expensive boutique jobs.
Want a free reverb on an acoustic then play the notes but don't kill the other strings, let them ring out. Want a great 60's surf sound then hold the pick really loosely on an electric and pick down near the bridge. Chicken picking quack comes from muting the string with your thumb then plucking the string. I've picked up loads of tricks watching people like Greg Koch and Tom Bukovac
I think the trouble with tone is nobody really knows what we mean by it. Sometimes we think someone has a great tone but they haven't really, they just have such a great musical expressive way of playing we think it's a good tone.
https://www.musicgateway.com/blog/music-industry/music-business/what-is-tone-in-music-everything-you-need-to-know
All of the above will combine to sound like you. Change one element eq stop relying on the minor pentatonic or not mid scooping will change your 'tone'.
Years ago I played very briefly with a guy that pulled the strings sharp. He never sounded good on any instrument.
it’s all those little aspects of a person how they hear how they interpret the attack the subtle phrasing etc.
think we have all seen the player with phenomenal technical chops and the guys who you don’t even think about what they are playing* but from the moment they play you quickly know they are the real deal.
I had a chum years ago who described a guitar as "toneless" because playing it harder or softer just made it louder or quieter, with no significant change in timbre.
Honestly I always assume anyone stating a blanket position that the player makes no difference just kinda sucks
it’s from three things-
1 the equipment - a cranked metal amp won’t allow a clean sound
2 how the player sets up the equipment - Ive noticed I set different amps up to sound similar ie to my sound
3 how the player plays the notes - how hard the string is hit, etc
Ebay mark7777_1
Never mind phrasing, vibrato and picking dynamics and all that stuff, fingers also turn the dials on all the pedals and amps, operates the internet searches for gear, do the soldering of components and handles all the financial transactions
I have great toe'n.
I'm leaving now.
I'm a tutor and always get that comment from learners when I pick up their guitar "that it sounds so good when you play it".
How many versions of the Comfortably Numb solo have you seen that sound good but not quite the same as when Gilmour plays it? That's because we can't clone his hands and skin genetics unfortunately as only he can make it sound the way it does. Some people can get close, very close though.